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Always an artist with a rare eye for taking a risk, Eastwood experiments with a movie that takes the cop action/drama genre and cross breeds it with an urban fairy tale of fantastical proportions. Intended as a piece of slick entertainment rather than a gritty, realistic message movie to be taken seriously, The Gauntlet just about works on the level it is pitched at.
Obviously, no one could ralistically survive the sustained hail of bullets that Eastwood and Locke do throughout it's running time and no law enforcement agency in the civilised worls would be allowed to dispense such firestorms at just two people. If you accept that this film is essentially a shadowy cop fantasy rather than a neo-realistic expose of, say, police corruption, then you may get a fair deal of enjoyment out of it. If you can't, then you probably won't.
Not the most satisfactory of Clint's efforts, it has to be said, yet definitely worth a look for the fans and those willing to suspend disbelief.
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