After a run of undoubted classic albums in the 70's 'The Game' marks a definite shift in the musical fortunes of Queen, as they enter the '80's with a blaze of synthesizers, a new producer, and a more basic approach to songwriting. In terms of sales 'The Game' was a huge success for the band, but it's rather dry stripped-down approach in both composition and recording (gone are the days of wall of sound layering of vocals and instruments) means this is a definite step back for music fans.
That's not to say its quite as simple as '70's Queen=good, 80's Queen=rubbish' as 'The Game' feels more like a transition album: while it's the first Queen album to feature synthesizers the band aren't relying on them yet, and haven't thrown out the bass guitar and drums in favour of bass synth and drum machines, while it's last throwback to the classic '70's Queen sound is that this is the last album to feature solo songs featuring Brian May and Roger Taylor on lead vocals, something which gave Queen albums great variety in the early days.
Song-wise most of the album highlights here come from John Deacon and Brian May: alongside the immense bass groove of 'Another One Bites The Dust' Deacon provides the wonderful early-Beatles sounding 'Need Your Loving Tonight'; while alongside the bombastic 'Save Me' (surely one of the best Queen songs ever) May also provides the similarly affecting 'Sail Away Sweet Sister' (for which he also provides lead vocals) and 'Dragon Attack', a great groove based song that captures the band playing off each other well. Freddie Mercury's contributions range from the brilliance of title track 'Play the Game' and the amusing 50's rock pastiche 'Crazy Little Thing Called Love' to the rather average 'Don't Try Suicide' - a song which is probably most noticeable for it's opening riffs suspicious similarity to The Police's 'Walking on the Moon.' Roger Taylor also has a varied outing: 'Coming Soon' is a decent pounding rock song but 'Rock It' is a very basic by-the-number rock song, with some painfully dumb lyrics ("You really think they like to rock in space - well I don't know").
Stuffed with hits, a few hidden gems, and a couple of bland filler tracks 'The Game' is midway between their brilliant 70's best and the more commercial bland 80's pop fare. It's still a very good album - but they are on the slippery slope, and 'Hot Space' would take them even further into synth-pop hell...