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Above all, Forsyte is driven by its characters--perhaps to an extreme, though the two-generation storyline makes no apologies for creating compelling people whose capacity for short-sighted blundering, bursts of grace, and slow-brewing redemption make them recognizably human. Eric Porter towers over everything as Soames Forsyte, a humorless attorney whose guiding principles of measurable value cause great heartache but slowly evolve, leaving him a graying, good father, arts patron, and sympathetic repository of memory. From the cast of 150 or so, other standouts include Susan Hampshire as Soames's troubled daughter, Nyree Dawn Porter as the wife of two very different Forsyte men, and Kenneth More as the family's artistic black sheep. --Tom Keogh
Donald Wilson was denied funds to produce it for ten years. Had there been a delay of a further year the series would have been filmed in colour, as he wished, rather than black and white.
The first of the John Galsworthy novels on which the series is based contains almost no dialogue. BBC script writers supplied the dialogue that helped make the ten siblings in the eldest Forsyte generation so memorable.
Galsworthy intended the Forsytes to represent the rapaciousness, greed and snobbery of the English upper middle class. In this adaptation they are much more endearing.
Being filmed in black and white made it possible to interpolate archival film of Queen Victoria’s funeral procession and of combat scenes from WW1.
Joseph O’Conor who plays the part of Old Jolyon was two years younger than Kenneth More who plays his son.
Eric Porter and Margaret Tyzack, who play Soames Forsyte and his sister Winifred, are in each episode and are required to age almost 50 years.
Although never credited, the music that opens and closes each episode is the first movement, “Halcyon Days”, from the suite “The Three Elizabeths” written in the early 1940s by Eric Coates.
If you are a reader of good books you will know that screen versions are usually disappointing. Of course, there is not all the detail but having read the books the timing and content of this presentation is accurate enough to draw you through the epic saga without the usual irritations of "screen licence". It is one of the very few book-to-screen productions I would highly recommend - the others are also BBC Drama Productions.
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