The Folded Leaf (Panther) [Kindle Edition]

William Maxwell writes in the small spaces. He explores the little sad areas of our lives that are comprised of looks that are not returned, thoughts that remain unuttered because we simply cannot figure out how to say them, and embraces we wish we have shared but did not because we lack the courage to put our arms around the person we love. The Folded Leaf is a beautiful, melancholy story by an author whose understated value has sadly caused a lack of popular appreciation compared to his flashier contemporaries - Hemingway, Nabokov, Bellow, Updike, Roth.

The Folded Leaf is the story of Lymie and Spud, two young boys who share a strong friendship, even though they seem utterly different. The novel is told primarily from the perspective of Lymie, a shy, withdrawn, introverted and very sensitive young man who loves Spud with all of his heart. Spud, on the other hand, is something of a strong man, an athlete who does not understand, but is able to appreciate, the sensitivity of his friend. They compliment one another, with Lymie taking security from Spud's strength while Spud draws another kind of strength from his friend.

The two boys love one another, with Lymie's love much the stronger, but the love remains platonic. It is the casual, affectionate, innocently physical love of young boys who become college men understanding that there is nobody else in the world more compatible with them than the other. A girl, of course, shatters this, but even though Spud may lose that first blush of pre-sexual affection, Lymie does not. The novel moves very slowly from the boys' strong relationship to a rather one-sided, heartbreaking examination of what happens when one friend moves on and the other cannot.

Is the story a homosexual one? It is hard to say. Spud and Lymie are physically affectionate, going so far as to spend almost their entire college life sleeping in the same bed. Note: Sleeping. While there is a lot left unsaid about Lymie's true feelings - he wonders, every now and again, when he shall meet a woman of his own to marry, but the wondering is academic rather than passionate - my reading of the novel is that Maxwell was happy to have Lymie's feelings remain ambiguous. Lymie is very much in love, and it is to the author's credit that the love does not have to be defined as sexual or emotional - it is simply what we see on the page. Lymie loves Spud and Spud loves Lymie: in different ways, it is true, but what they both feel is what we would call love. Maxwell is shrewd in avoiding the question of romantic or platonic love - what we have is love, just love, and it is shown to be enough. I highly doubt Lymie would have considered his feelings for Spud as anything wrong, and Spud - athletic, not very intelligent, given to boisterousness - certainly has no problem with his diminutive friend.

Maxwell shines the brightest when he is delving into Lymie's thoughts. We understand most of the novels scenes, from their school days to when they bunk together at university to when Spud becomes a (rather ignoble) boxer to Spud's engagement with Sally, from Lymie's perspective, allowing us to see the friendship in a way that Spud, and an outsider, never would. Consider this long quote: 'Lymie didn't know what the trouble was, but he was not dismayed. He had worn Spud down once before and he was sure he could do it again. Every day between four-fifteen and four-thirty he appeared at the gymnasium and stood a few feet away from the punching bag where Spud, if he wanted his gloves tied on or any small service like that, wouldn't have to go far to find him. When Spud came up from the showers, Lymie was there waiting by the locker, like a faithful hound. He made no move to open the lock, or to touch anything inside the locker that belonged to Spud. Occasionally while Spud was dressing and afterward on the way home, Lymie would say something to him, but Lymie was always careful not to put the remark in the form of a question, so there was no actual need for Spud to reply.' This is unrequited love at its most honest. Sadly for Lymie, Spud of course does not appreciate the layers of meaning and feeling behind Lymie's behaviour, and of course there is conflict that ends in tears. The novel ends the only way it should, but there is hope for the friendship and hope for Lymie, forced by circumstance to face the reality that even though his boyhood love may never have lost its intensity of feeling, Spud's certainly has.

This book is one of the most beautifully written books I have ever read.

Such is the quality of writing, that some part of it will have resonance for everyone. The story is engaging and rewarding to read, the writing is intelligent and elegant.

Maxwell can capture the subtleties of both verbal and non verbal communication and convey them with startling accuracy. His ability to identify the fragile and unredeemed features of human existence is both powerfull and moveing.

Every boy & man should read this book, it will leave them richer than it found them.

This book was published in 1945, so it's particularly "coded" in such a way that it can be read without some people noticing the homosexual sub-text. I think perhaps that if the ending had been more upbeat in the way The Charioteer had been written then it would be as popular as that book because it's certainly written as beautifully and to read it is to truly immerse yourself in the high school and university life of 1920's America with the coon skin coats, letterman sweaters and the heady importance of who you knew against what you knew.

I think I'd have to disagree with the blurb, though. I didn't see any indication that Lymie was attracted to Sally at any point. They liked each other extremely well, but it is Spud's misinterpretation of Lymie's friendship with her that causes the conflict, not any realistic attraction at all.

Are Lymie and Spud homosexual? I think possibly, yes. I would say that Spud shows bisexual tendencies and Lymie homosexual. In today's frat houses I think that they would--as they are sleeping together in The Folded Leaf, and always sleep touching in a sweet innocent fashion--take their relationship to another level. I got the impression from the story that neither boy ever had any suspicions as to what their deep feelings really meant. Even when Lymie longs to touch Spud, I felt it was more of an adoration of a body of a type that he could never hope to have, for he himself is an entirely different body shape, rather than any sexual desire.

"Very often, looking at Spud, he felt the desire which he sometimes had looking at statues-to put out his hand and touch some part of Spud, the intricate interlaced muscles of his side, or his shoulder blades, or his back, or his flat stomach, or the veins of his wrists, or his small pointed ears."

The affection is clear between them both, but stronger from Lymie to Spud. Spud inhabits a much more physical world than Lymie; he boxes, he swims--does all sport well, while Lymie's skills are cerebral and Spud takes Lymie for granted, while always wanting him in his life. I think that others see their relationship a little more clearly than they do themselves, notably the effeminate landlord (there's always one!) and Spud's own family, who, until Sally is brought home to meet them, had been entirely accepting of Lymie's place in Spud's life.

The crisis comes when a mutual acquaintance tells Lymie (and it's never acknowledged as to whether it's a true tale he tells) that Spud hates Lymie because of Sally's friendship. Sensitive Lymie feels entirely betrayed and takes matters into his hands. Thankfully the book doesn't end with tragedy but still, the author writes the only ending that would have been accepted in 1945, after giving us one of the most memorable scenes in the book.

If you liked the Charioteer, you'll definitely like this, because it has much in common with its themes and has beautiful prose--and as a piece of homosexual history, I'd think it definitely rates a read from anyone interested in America at this time.