The Flood [Paperback]

Is it a comforting or precarious feeling, being the UK's number one best-selling male crime writer? Only Ian Rankin could answer that, but it's clear that the author is not content to rest on his laurels, and is always prepared to reinvigorate his excellent Inspector Rebus novels whenever a sense of déjà vu starts to creep in. And now we have Rankin's The Flood, a reissue of his first, unremarked novel. Was Rankin wise to sanction the re-release of this early book? After all, when we were given the chance to read again all the novels of Martin Cruz Smith had written before his groundbreaking Gorky Park, it was a sobering experience -- as the latter novel was a quantum leap in achievement beyond the previous books. Not so with The Flood: while this darkly disquieting novel caused ripples on its first publication, its reappearance after 20 years is something of a cause for celebration. Rankin began the novel as a 25-year-old student, and its publication by a small university publishing house (with a modest print run) escaped any critical attention. It took the atmospheric and gritty Rebus novels for us to see just how talented Rankin was, and it's a fascinating experience to re-encounter this tyro work.

The Flood is not a crime novel. Mary Miller is an alienated young woman. As a child, she had had an accident involving a flood of chemical discharges from the local coal mine -- she had survived, badly injured, but sympathy for her plight evaporated when the man who was responsible for the accident met his death in a mining accident shortly after. The pious community she lives in views her with superstitious dread. Time passes, and she gives birth to an illegitimate son, Sandy. Her unsatisfactory love affair with a teacher is going nowhere, and her son has started a relationship with a homeless girl. But both Sandy and his mother have to confront the past, and both find their lives will be changed by elemental forces -- notably the flood of the title.

As the above conveys, this is sombre stuff, but that won't put off Rankin aficionados, who look for the dark and disturbing in his work. While the book is (inevitably) not as fully achieved as his later work, there are many fascinating pre-echoes of the off-kilter psychology that is Rankin’s stock-in-trade, and any rough edges of the narrative are more than offset by the power of the already highly individual vision on offer here. --Barry Forshaw --This text refers to an out of print or unavailable edition of this title.

'A must for lovers of Rankin' (GOOD BOOK GUIDE )

'Full of secrets and revelations, with an atmospheric sense of time and place, it has Rankin's signature darkness' (CHOICE )

'It wouldn't take a Rebus to sleuth out the telltale signs of a talent in the making' (Chris Power THE TIMES ) --This text refers to an out of print or unavailable edition of this title.

'A must for lovers of Rankin' GOOD BOOK GUIDE 'Full of secrets and revelations, with an atmospheric sense of time and place, it has Rankin's signature darkness' CHOICE 'It wouldn't take a Rebus to sleuth out the telltale signs of a talent in the making' -- Chris Power THE TIMES --This text refers to an out of print or unavailable edition of this title.

'It wouldn't take a Rebus to sleuth out the telltale signs of a talent in the making' --This text refers to an out of print or unavailable edition of this title.

The book that began Ian Rankin's phenomenal career.

Mary Miller had always been an outcast. Burnt in a chemical mix as a young girl, sympathy for her quickly faded when the young man who pushed her in died in a mining accident just two days later. From then on she was regarded with a mixture of suspicion and fascination by her God-fearing community. Now, years later, she is a single mother, caught up in a faltering affair with a local teacher. Her son, Sandy, has fallen in love with a strange homeless girl. The search for happiness isn't easy. Both mother and son must face a dark secret from their past, in the growing knowledge that their small dramas are being played out against a much larger canvas, glimpsed only in symbols and flickering images - of decay and regrowth, of fire and water - of the flood.

Born in the Kingdom of Fife in 1960, Ian Rankin graduated from the University of Edinburgh in 1982, and then spent three years writing novels when he was supposed to be working towards a PhD in Scottish Literature. His first Rebus novel was published in 1987, and the Rebus books are now translated into thirty-six languages and are bestsellers worldwide. Ian Rankin has been elected a Hawthornden Fellow, and is also a past winner of the Chandler-Fulbright Award. He is the recipient of four Crime Writers' Association Dagger Awards including the prestigious Diamond Dagger in 2005. In 2004, Ian won America's celebrated Edgar Award for Resurrection Men. He has also been shortlisted for the Anthony Award in the USA, won Denmark's Palle Rosenkrantz Prize, the French Grand Prix du Roman Noir and the Deutscher Krimipreis. Ian Rankin is also the recipient of honorary degrees from the universities of Abertay, St Andrews, Edinburgh, Hull and the Open University. A contributor to BBC2's Newsnight Review, he also presented his own TV series, Ian Rankin's Evil Thoughts. Rankin is a number one bestseller in the UK and has received the OBE for services to literature, opting to receive the prize in his home city of Edinburgh, where he lives with his partner and two sons.