A measure of the book's success is that it enforces not just a suspension of disbelief, but for a while total surrender of the faculty of reason ... The drama of parental obsolescence is sharply articulated, as is the condition of terrorised parental love --Guardian
An unforgettable experience. This is, quite simply, one of the most powerful works of fiction it has ever been my privilege to read ...
As I approached the final pages I felt tearful, nauseous, shivery, exhausted, terrified and short of breath ... It is a novel which has profound things to say about matters metaphysical but does so in a way that creates a physiological response ... The Flame Alphabet is a revelation and a castigation ... literature that makes sense of our age and will be read in ages to come --Scotsman
Ben Marcus s new novel is an eye-burning high-literary encounter with science fiction ... The Flame Alphabet is abuzz throughout with the kind of scorching prose that we d expect from such bona fide American literature hot stuff --Dazed & Confused
Larded with creepy metaphors, the author's own wayward language destabilises the reader s sense of linguistic propriety. --Independent
The most unsettling novel of the year. Hitherto known as an experimental writer - The Age of the Wire and String fascinated, delighted and baffled me in 1995 - his orbit has gradually been approaching Earth over the past 18 years, but he's still out there. Horribly vivid... It looks from a distance like a sci-fi dystopia but is, in fact, far more interesting than that. --'Best Paperbacks of 2013', Guardian
The Flame Alphabet gets into your head and under your skin and stays there. --'Books of the Year' chosen by Josh Cohen, The Big Issue
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About the Author
Ben Marcus is the author of three previous books; Notable American Women, The Father Costume, and The Age of Wire and String. His work has appeared in The New Yorker, The Paris Review, The Believer, The New York Times, and McSweeney's. He has received a Whiting Writers Award, a National Endowment for the Arts Fellowship in fiction, a grant for Innovative Literature from the Creative Capital Foundation and three Pushcart Prizes. He is an associate professor at Columbia University.