How do you write a sequel to an astonishing work of imagination like The Eight? Very carefully . . . as witnessed by the long delay between the original and the sequel. But perhaps not carefully enough as judged by the challenges of inserting new meaning into well developed material in The Eight.
The Fire has to be seen as a sequel. As a stand-alone novel, the references to The Eight weigh down the book for a new reader in ways that would make the book almost impenetrable . . . and obscure at the same time.
Time has moved forward into the post-Second Iraq War period, creating a balance with the OPEC-related story lines in The Eight. As she did in The Eight, Katherine Neville has also moved back in time to create historical stories that march into the present time. These story lines cross in powerful ways.
The book opens as Aleksandr Solarin accompanies his daughter, Alexandra ("Xie"), to Zagorsk Monastery in Russia for a pivotal chess match in the autumn of 1993 where she will have a chance to earn grandmaster status at the tender age of eleven. While there, Aleksandr spots something that shouldn't be there . . . and it becomes clear that the Game he had sought to end years before has begun again.
You then travel to Albania in 1822 to meet Haidee, a pasha's daughter, who uncovers a sneak attack by Turkish forces on her father. Will she escape its consequences?
From there, the scene shifts to Mesa Verde in Colorado in the spring of 2003 as Alexandra arrives to visit for her mother's (Cat Velis) birthday party to discover that her mother missing, many puzzle clues, and an odd assortment of visitors arriving for the party. Clearly, these people seem to be positioning themselves for the Game. What is Alexandra's role?
Much of the story's charm come from comic appearances involving Lily Rad and adventures involving Alexandra's highly competent friend Key. The historical backdrop is enlivened by the character of Lord Byron who becomes a significant figure in the story.
For those who loved The Eight, The Fire presents a challenge in that it puts a new perspective on that story. Some will see the new aspects as enriching the original story line. Others won't agree.
Like The Eight, I found the ending to be an anticlimax that didn't live up to the rest of the story. This story has a drawback that The Eight didn't have, it often moves very slowly. Much of the book is taken up with locating Alexandra's mother. Characters are also assessed in a few too many ways for my taste in terms of what roles they might be playing in the Game.
If I hadn't read The Eight, I'm not sure I would have finished The Fire. The new stories didn't grip me nearly as much with emotion as the old ones did in The Eight.
If you have read The Eight, I think you should read The Fire . . . if for no other reason than being able to write a review of it where you can assess how it compares to the original novel.