Famous artwork reproduced as it has never been seen before.
Contents divided into topic-specific sections.
Commentary on the paintings by the artist.
Art techniques revealed and discussed.
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Famous artwork reproduced as it has never been seen before.
Contents divided into topic-specific sections.
Commentary on the paintings by the artist.
Art techniques revealed and discussed.
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My involvement with Oliver has been a long and rewarding one, and continues to be so. I first met him in January 1969 when we were both starting a two-year course at the London Film School, and we have worked together in one capacity or another ever since.
Since I have been a witness to and a participant in many of the events described in this book, it is inevitable that my presence hovers above the text. However, I am uncomfortable at mentioning myself in the first person because I feel it intrudes on the narrative, and for this reason on the occasions my presence crops up, I have referred to myself in the third person.
Over the years, Oliver Frey has gained a huge and appreciative fan base which knows him familiarly as Oli and yet, because he is first and foremost a commercial artist, much of his most exciting work, especially for magazine covers, has been designed for and defaced by the blather of cover lines selling the contents. Few people will ever have seen the unadulterated originals without them; surely the only excuse needed for this book?