Although his music is easy to like, or perhaps because of this, Haydn has always been a difficult composer to assess. More than most, his worth has fluctuated ever since his own time, and continues to do so today. There is thus no better time than this, the two-hundredth anniversary of his death, to attempt a balanced view of his output.
Haydn was the opposite of the Romantic ideal of the tortured artist: he was an employee, effectively a servant in the court of the noble Esterhazy family of what is now Hungary. He was employed to compose, and compose he did - 104 numbered symphonies, over a dozen operas, 83 string quartets, many songs, over fifty piano sonatas, piano trios and other chamber music, including over one hundred pieces for a bizarre instrument of his day, the swiftly-forgotten baryton. We are luckier than those who came before: more of his music is availble now than at any previous time.
Richard Wigmore has done us a great service in writing a compact guide to this great composer, the one of whom Mozart commented, "There is no one who can do it all - to joke and to terrify, to evoke laughter and profound sentiment - and all equally well, except Joseph Haydn." The book gives us an overview of Haydn's life, works, and contemporaries, chapters on each type of music he wrote: symphonies, concertos, operas, etc., and includes valuable sections on further reading and available recordings.
The writing is clear and lively, Wigmore's affection for his subject showing through, and the entries, though concise, are detailed and specific. There could be no better way of getting to know this charming and rewardng composer.