This is the kind of books I enjoy reading.I am not a professional filmaker or editor, but as I like to know all the details behind everything I wanted a book to cover the most important theory (not techniques or tools) about film editing.I really felt as this book "revealed" some secrets that most of us (I mean ,the amateurs) simply ignore.
It explains all those facts that makes you perceive films as good/average/bad in such a detailed way, that most of the times you will run to watch your favourite film to see if he is right , and believe me , he is deadly right!
By using all this theory and these invisible tricks he describes you cannot only make scenes look good (even if they are not) , your whole film will look even better and finally acquire that magic ingredient that you can "feel" on good films but you cannot actually identify what it is. The most importnat thing is, that it gives you the power to quide your viewer eyes at exaclty where you want him to look and see exactly what you want him to see, which can greatly affect the way your material is communicated to your audience.
The only "drawback" after reading this book ,is that your eyes are more trained in identifying "bad edits" in the films you are watching , but I think we can leave with it !!! I think that such good books should be on every filmaker's hand.