First, about the stars. The 4 comes from the less-than-informative packaging and the absence of the extended version of My Baby Just Cares For Me. Everyone knows that Nina's first album, best known as "Little Girl Blue," is 5-star and then some, being one of the finest debuts ever recorded. It features two of her biggest hits, My Baby... and I Loves You Porgy, as well as other gems like Plain Gold Ring, Mood Indigo, and the gorgeous, melancholy title track (for me, her finest moment) that so remarkably interpolates Good King Wenceslas. However, these songs have been reissued in so many formats, some rather shoddy, that people have a right to wary about how they buy them now. Happily, the Metro double disc gives you really good value for money.
Released just before Nina's death (judging from the content of the liner notes), its mastering is crisp and virtually indistinguishable from the 2006 reissue on Fuel/Varese Sarabande. The sequence may disappoint some, as Metro has stayed with the better known playing order that puts My Baby... at the start and Little Girl Blue at the end, whereas Fuel at least went back and shifted tracks around to recreate the album's original release as Jazz Played In An Exclusive Side Street Club, with the tracks from Nina Simone and Her Friends added at the end. However, Bethlehem Records reissued that early version back in the 90s (minus the extra tracks), and you can always program that sequence as follows: 4 2 5 14 7 1 9 13 12 8 11 3 10 6.
The loss of the hit version of My Baby... is a pity, but the original shorter take is more than enough for me and the other version's absence is amply compensated for by the second disc, a Best Of compiled from (I believe) her various live albums. Decent sound quality overall and no duplication of material from the first disc, with some fine performances, especially in The Other Woman, a lovely twin to He Needs Me or Don't Smoke In Bed. The booklet could do more, though; Paolo Hewitt's essay is enthusiastic and provides some biographical titbits, but he gives little details of the actual recording sessions and no information whatsoever on the live set, while the tray liner merely advertises other releases on the Metro label. But the cover photo is Nina at her most beautiful. All in all, if you're not picky about the absence of such information, this is a great way to get Nina's superb debut with a substantial bonus set on the side.
Note: the track listing published here is clearly incorrect. The first disc is only Little Girl Blue (14 tracks). All the other 11 tracks listed comprise the second disc.