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The Epic of Gilgamesh (Penguin Classics)
 
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The Epic of Gilgamesh (Penguin Classics) [Paperback]

Andrew George
5.0 out of 5 stars  See all reviews (1 customer review)

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The Epic of Gilgamesh (Penguin Classics) The Epic of Gilgamesh (Penguin Classics) 4.6 out of 5 stars (5)
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Product details

  • Paperback: 304 pages
  • Publisher: Penguin Books Ltd; New edition edition (24 Feb 2000)
  • Language English
  • ISBN-10: 0140447210
  • ISBN-13: 978-0140447217
  • Product Dimensions: 19.3 x 13 x 2 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 1,012,173 in Books (See Top 100 in Books)

Product Description

Product Description

Originally the work of an anonymous Babylonian poet who lived more than 3,700 years ago, The Epic of Gilgamesh tells of the heroic exploits of the ruler of the walled city of Uruk. Not content with the immortality conveyed by the renown of his great deeds, Gilgamesh journeys to the ends of the earth and beyond in his search for eternal life, encountering the wise man Utanapishti, who relates the story of a great flood that swept the earth. This episode and several others in the epic anticipate stories in the Bible and in Homer, to the great interest of biblical and classical scholars. Told with intense feeling and imagination, this masterful tale of love and friendship, duty and death, is more than an object of scholarly concern; it is a vital rendering of universal themes that resonate across the ages and is considered the world's first truly great work of literature.

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Most Helpful Customer Reviews
17 of 71 people found the following review helpful
TRACES 5 Aug 2001
If the Epic of Gilgamesh, in this great new translation, is not the eldest known text in humanity, it certainly is a universal story, a story of which you can imagine that the animals told each other in times we were still enough alive to hear their voices. Gilgamesj is king and he reigns as a tiran. Everyone belongs to him and all that belongs to them is his property. Wanting to open his eyes, the gods gave him a friend, Enkidu, a creature brought up by Mother Nature, that only in bits and pieces discovers that he is human. Sjamhat, the harlot, learns him wat it is to feel to be a man. Fighting Gilgamesj Enkidu learns to appreciate him as someone being equal, as a friend. Together they succeed in winning, with the help of their friends, the gods, the giant Chumbaba. In a fever of victory, they get the head of the giant back in their base-camp Uruk. The prettiest of all, the godess Isjtar, tries to seduce Gilgamesj, but he refuses her. This makes her mad, and when his friends kill her favorite bull, the one that makes the earth shiver, she really gets angry and decides to kill Enkidu, the favorite friend of Gilgamesj. Gilgamesj can't find consolation. He searches his friend, he searches immortality. But he doesn't succeed. He falls asleep, as most men do. Gilgamesj returns home and sees his city, that will remain when he will be dead. Maybe that's it ? Building a city, leaving traces ... How do you live as a human being ? As the only human being on your earthly ground, because after all, we must admit we're all alone. No one has really any idea about how the other is feeling. You don't wonder, you are there, and that's enough - and before you were there, there was nothing. But suddenly he comes in front of you, someone like you, someone where you have to fight against, someone whose body and soul demands of you to love him. A friend. With who you can fight the world. And the giant. Or isn't it like that ? Giant's, they don't really exist anymore, they say. I've seen them, I see them every day I walk. Giant buildings with elevators that take you up and down. At their feet, the sea of cars and people and other buildings asks you to take a jump from them. And there are evil weeds that you see growing if you stand up there. When you have a friend, you are vulnerable. Because : in no time he is gone. He doesn't speak to you anymore. He is so quiet, so white. He must be sleeping, or is he dead ? What is dying ? Crossing a bord, borders, through the desert, the sea. You search him. You see him, but he's not there. He seems to be someone, here and there. He won't take long before you are in the same position. Or won't you ? You leave something. You're still there. There are traces. You were here.
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Amazon.com:  7 reviews
94 of 94 people found the following review helpful
A peephole into the distant past 25 Feb 2001
By Ursiform - Published on Amazon.com
I ordered the hardcover edition of this book from ... , and it is unfortunate that it is not readily available in the US. At least the softcover edition is now available, and worth acquiring for anyone interested in a glimpse of what life-and thought-was like nearly 4000 years ago. I was unaware, before reading this volume, that Gilgamesh, despite it's significance and popularity in its day, does not come down to us in any complete form. George provides both a background of the civilization that produced Gilgamesh and also a history of the various partial versions that have survived and been found. Throughout the text he is careful to explain where different versions disagree, where he has interpolated fragments from other versions to fill gaps, and where no known version exists. He appends translations of various fragments and of earlier Sumerian poems of "Bilgames". While lacking the completeness, and therefore coherence, of the Homeric epics, George's translation of Gilgamesh offers at least a peephole, if not truly a window, into a civilization very far removed from ours. Despite the distance the desires and fears-particularly the fear of death-expressed seem very human and recognizable. In fact, and in spite of, the archaic structure of the verse, Gilgamesh seems more human to me than many of the semi-divine heros of Homer. Certainly not light reading, but very much worth the time and effort.
42 of 44 people found the following review helpful
A good book 5 Nov 2000
By Jonathan Bailey - Published on Amazon.com
Amazon Verified Purchase
Not having read scores of Gilgamesh translations, I really don't know how many stars to give this one, but I am very happy with it. In addition to giving a 'complete' version, mainly from Standard Babylonian texts from the Nineveh library but supplemented from other sources (even Hittite editions) for the sake of having a complete story, the book publishes in separate chapters, older, more fragmentary sources. Even Sumerian versions are covered. Also, in the beginning is an excellent treatment of the history of the rebirth of the Gilgamesh epic and the state of cuneiform translation and research in general. No speculation about the epic on literary or religious levels is given. George doesn't bother to tell us about the literary or historical relationship of Gilgamesh to the bible, nor does he try to use the epic to define for us Mesopotamian religion. He is simply interested in providing a good translation and is very thorough and scientific in cataloguing his sources and judgment calls, yet he hands us a lively and fluid English text.
28 of 29 people found the following review helpful
Probably the best version out there today. 6 Sep 2000
By A Customer - Published on Amazon.com
Andrew George gives you the best of both worlds. He reprints the Old Babylonian version of Gilgamesh, which I find the poetry to be gritty, raw and exciting. (. . . until the maggot dropped from his nose.) He also gives you the newer versions of the story,including tablets 11 and 12. I found that these two additions to the story, written at a later date, did not quite match the OB version. Each version twisted the story from the original Man vs. Hero, into Man vs. King and then Man vs. God. I do believe, though, that this is the best of any Gilgamesh book you will read.
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