This book is, as you would expect, beautifully illustrated, with wonderful examples of traditional and contemporary designs. If it did only that, it would still be a valuable work of reference but it does much more.
It starts with three sections on the basics of calligraphy. First is `Tools and Materials': which covers both the basic items needed for calligraphy, as well as those specifically used in illumination; and everything mentioned has an explanation of how, and why, it is used. Part two is `Basic Penmanship'. As the title suggests, this deals with first steps and basic techniques and then leads you through the next stages. So, it starts with some explanation of the different 'Hands' used and lettering styles - then spacing; and ruling lines; before progressing to the use of colour and the various embellishments, backgrounds etc., that can be used. Finally, this section describes layout principles and then texture techniques.
Part three is an in depth chapter on the 'Hands'. This is invaluable for those of us who are new, or comparatively new, to the art. Every 'hand' is explained and the entire alphabet of each is illustrated, with pen directions. It covers the following Hands: Foundational, Roman Capitals, Uncal, Carolingian, Gothic, Formal Italic, Flourished Italic, and Versals. Several have the capitals as well and every one shows how to practice the letter forms, with 12 illustrations of each of them as they are being written. The last 2 sections of this chapter show Edged Brush Writing and Freeform.
Part four is 'Illumination'. After the opening introduction, this begins with how to design an illustrated letter; then applying gold and painting an illuminated letter. The next two sections cover Raised, and Flat gilding, with modern materials; then gilding using Gesso or gum ammoniac. These are followed by various styles: Celtic, Romanesque, Gothic, Arts and Crafts, Renaissance and Modern. Each of style lists materials needed and has numerous examples of each before providing more examples for you to trace. Last, is Borders, again with beautifully illustrated examples, which show not only the completed patterns, but how they are gradually built up to the finished article. Again there are more examples to trace.
Part Five is the Gallery - this section is from page 100-155, so that is 56 pages of a veritable cornucopia of illustrations. Works as varied as the media that is used to create them. Some works were inspired by those of antiquity, harking back to the amazing talent of long forgotten and frequently, anonymous artists. These interpretations by modern day proponents draw on often breathtaking images and can make you marvel anew at the genius and creativity of all of those who have gone and all those who still produce such beauty.
Every section has an explanatory introduction and these, concise and clear explanations, are a welcome feature, which continues throughout the book. At the back there are 3 sections of information. The first is titles `Resources' and lists suppliers and societies, with suggestions for further reading. Second is the `Glossary' of terms, followed by a comprehensive `Index' and then `Credits'.
The book is beautifully laid out, and as such is a further illustration of the creativity and talent of Janet Mehigan and Mary Noble. Beautiful proportions and layouts abound and add to the unceasing pleasure of owning such a work. I have used the book for practical ideas and help with creating my own modest novice items. As such they reinforce the extraordinary talent of the people who created the examples featured throughout the book. I frequently dip into the book to enjoy the gallery and such times often become extended, long past that originally intended; as I am captured again by the beauty within the pages.
This book, is, quite simply a one to treasure.