I'm quite surprised to be the first reviewer of this book. If 'Lord of the Rings' is the dragon of fantasy then 'The Elves and the Otterskin' is the hamster. But that's not a criticism, far from it- this is a very endearing story of swords and sorcerers with a spellbinding adventure to boot. But it isn't high fantasy and therefore won't appeal to everyone.
Before reading this book, although I'd read a variety of fantasy stories, I'd always assumed that epic themes with mighty battles and brave heroes were totally necessary for a fantasy story, whether with a slightly comedic or deadly serious tone. How wrong I was. This is a complete breath of fresh air and a great change of pace from the average fantasy tale- as far from the deadly earnestness of Tolkein or the ludicrously implausible of Pratchett as you can get, this is nonetheless a riot of a read, inventive and engrossing without ever being pretentious or belittling the genre. So I was definitely dismayed when THE END came, despite I admit finding the book a slow read in places. But probably about twenty pages in I knew I would be reading more by Boyer, despite this being my first experience of her work and that's both unusual and extraordinary, for me at least.
A less than engrossing section about half-way through mars a beautiful pace, but being lost in a maze must be very difficult to make entertaining. Throughout the book, I felt rather than being gripped by the plot and what would happen next in that sense, I was far more interested in the characters and how they would develop. The prose is basic, even sparse, but the dialogue is rich and expressive, so it's the characters that fuel the fire of this story. In a way the plot is insignificant compared to Boyer's inspired elf/magician/hero creations that leap from the pages.
This book doesn't follow fantasy conventions, so you may find yourself slightly disappointed by some aspects of the story, but that really is part of it's charm and this didn't dampen my enjoyment and I'm sure you'll find the same to be true. In one way that it highly succeeds in emulating and expanding upon fantasy genre conventions, is in its use of scandanavian-inspired people/place names that are completely unpronouncable and so do somewhat disrupt the flow of the narrative. This aside, no bad points.
Absolutely no effort is required to read this book- the storyline doesn't convolute at every oppotunity and nor are there long descriptions of the landscape to trawl through. A great antidote to the huge themes of Hobb, Feist, Eddings and Tolkein that I personally enjoy, but which can get repetitive, this is a book every fantasy fan must read for some light refreshment.