The Electric Kool Aid Acid Test [Paperback]

They say if you remember the '60s, you weren't there. But, fortunately, Tom Wolfe was there, notebook in hand, politely declining LSD while Ken Kesey and his Merry Pranksters fomented revolution, turning America on to a dangerously playful way of thinking as their Day-Glo conveyance, Further, made the most influential bus ride since Rosa Parks's. By taking On the Road's hero Neal Cassady as his driver on the cross-country revival tour and drawing on his own training as a magician, Kesey made Further into a bully pulpit, and linked the beat epoch with hippiedom. Paul McCartney's Many Years from Now cites Kesey as a key influence on his trippy Magical Mystery Tour film. Kesey temporarily renounced his literary magic for the cause of "tootling the multitudes"--making a spectacle of himself--and Prankster Robert Stone had to flee Kesey's wild party to get his life's work done. But in those years, Kesey's life was his work, and Wolfe infinitely multiplied the multitudes who got tootled by writing this major literary-journalistic monument to a resonant pop-culture moment.

Kesey's theatrical metamorphosis from the distinguished author of One Flew over the Cuckoo's Nest to the abominable shaman of the "Acid Test" soirees that launched The Grateful Dead required Wolfe's Day-Glo prose account to endure (though Kesey's own musings in Demon Box are no slouch either). Even now, Wolfe's book gives what Wolfe clearly got from Kesey: a contact high. --Tim Appelo, Amazon.com

I looked around and people's faces were distorted...lights were flashing everywhere...the screen at the end of the room had three or four different films on it at once, and the strobe light was flashing faster than it had been...the band was playing but I couldn't hear the music...people were dancing...someone came up to me and I shut my eyes and with a machine he projected images on the back of my eye-lids...I sought out a person I trusted and he laughed and told me that the Kool-Aid had been spiked and that I was beginning my first LSD experience...

'I looked around and people's faces were distorted...lights were flashing everywhere...the screen at the end of the room had three or four different films on it at once, and the strobe light was flashing faster than it had been...the band was playing but I couldn't hear the music...people were dancing...someone came up to me and I shut my eyes and with a machine he projected images on the back of my eye-lids...I sought out a person I trusted and he laughed and told me that the Kool-Aid had been spiked and that I was beginning my first LSD experience...'

Tom Wolfe grew up in Richmond, Virginia, and graduated from Washington and Lee University. He received his doctorate in American Studies from Yale University. Mr Wolfe worked as a reporter for the Springfield Union (Massachusetts), The Washington Post, and the New York Herald Tribune. His writing has also appeared in New York magazine, Esquire, and Harper's. He is the author of several works of non-fiction: The Kandy-Kolored Tangerine-Flake Streamline Baby, The Pump House Gang, The Electric Kool-Aid Acid Text, Radical Chic and Mau-Mauing the Flak Catchers, The Painted Word, Mauve Gloves and Madmen, Clutter and Vine, The Right Stuff, From Bauhaus to Our House and The Purple Decades, A Reader. His first novel, The Bonfire of the Vanities, was published in 1987. He lives in New York City.