For many people cool has always been defined by the clothes you wore and the music you listened to. Whatever generation, there are subcultures to be part of with lables and badges to wear which defined you as part of the right set and each has its very own soundtrack. At some time in our adolescent lives we all either were, or wanted to be, one of the cool kids.
The thing is, that there is always a plethora of music surrounding us and most would probably not slavishly stick to the confines of one style. "The Edge Of The Seventies" acknowledges this and does a good job in providing some examples of each of its styles and types. Covering the period from 1977-80 this is what many call the golden age of the pop single. These are the ones from its cooler hinterlands.
Across 3 CDs there is the pre-punk, punk, new wave, post-punk, power pop, electronica, mod revial, goth, and good left-field pop. It's a pretty good summation of the kind of records people of the time would have in their record collections. The surprising thing is how many of them are hits. This is a collection of accessible music with the emphasis, most of the time, on melody as opposed to dischord. It's sometimes experimental but without actually challenging the ears of the listener too excessively. This is still, at its heart, a pop album. Many of the acts here did appear on Top Of The Pops.
This is an era which has been plundered and re-packaged more times than it is really reasonable to mention and so there are some usual compilation suspects here including "Teenage Kicks", "Babylon's Burning", "Roadrunner", and "Being Boiled" detracts slightly from the selections as they all tend to suffer from slight overuse. That said thre are a good number of tracks not usually found in these places which really do mark this out as something close to a more worthwhile purchase. Inspired inclusions include: "Transmission", "7Teen", "Broken English", "I Love The Sound Of Breaking Glass", "Time For Action", "TV", and "IEYA", some of which are not exactly easy to find in any other format.
As an example of the kind of music people really went out and purchased in this period, this is a pretty good apporximation of the times. There are other more challenging, brilliant groundbreaking documents of this period featuring music which is far more difficult and, in some cases, more innovative. Yet without the music included here many of those bands would not have found an audience as this is the conduit to something a little more left-field. A well programmed (with the glaring exception of Quantum Jump), enjoyable reminder of what people really listened to in these groundbreaking years.