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The Sin Eater [Hardcover]

Alice Thomas Ellis
4.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

1 Jan 1998 0715609408 978-0715609408
A troubled family gather at the ancestral home on the Welsh coast, awkwardly awaiting the death of the family patriarch. Polite conversation gives way to sly remarks and bickering in this tense reunion, and the household's respectable surface is scratched away to expose secret warfare, malicious games and viciously funny class-consciousness. In Alice Thomas Ellis's first novel, the caustic wit, brisk pace, and profound insight she is famous for are displayed to full effect.
--This text refers to an out of print or unavailable edition of this title.


Product details

  • Hardcover: 192 pages
  • Publisher: Gerald Duckworth & Co Ltd (1 Jan 1998)
  • Language: English
  • ISBN-10: 0715609408
  • ISBN-13: 978-0715609408
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 1,549,865 in Books (See Top 100 in Books)

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Review

A fine eye for human weakness and an acid pen conspire to make a brilliantly observed novel. (DAILY MAIL )

Ellis's satire was heralded in 1977 as a modern classic, and the sleight of prose alone still merits a read today. (OBSERVER ) --This text refers to an out of print or unavailable edition of this title.

Book Description

* An elegant and biting tale of complicated family relations --This text refers to an out of print or unavailable edition of this title.

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Most Helpful Customer Reviews
4 of 4 people found the following review helpful
4.0 out of 5 stars "Death was waiting in the house like a bailiff." 19 May 2004
By Mary Whipple HALL OF FAME TOP 100 REVIEWER
Format:Paperback
The Anglo-Welsh patriarch of an old family is dying in Llanelys, and his children and their spouses gather at the estate to await the end. Rose, the Irish wife of the oldest son Henry, is the sensible mother of twins who has worked to restore the estate and its gardens, make it a home, and, through her cooking, provide a sense of family warmth. In sardonic contrast to her is Angela, the oh-so-upperclass wife of the second son Michael, who looks down on Rose and everyone else not of the family's "class" and breeding. Arriving sometime later is the only daughter, Ermyn, young, schoolgirlish, and disturbed. Severely repressed and often ignored, she looks for answers in exotic religious expression, and like the sin eater of Welsh legend, believes she can take upon herself the sins of the Captain and the family.

Ellis wields language like a rapier, skewering family members for their caste-conscious concern with their "blood," and showing with mordant humor their deliberate separation from the community. The family is changing, if Rose, daughter of an Irish veterinarian, is any indication, just as Llanelys, now a tourist destination, has changed. But though the family may deserve to be satirized for its meaningless rituals, the local population is not exempt from Ellis's dissection, either. Phyllis, the caretaker for the Captain, saves the best of the family's food to feed her fat grandson, and he steals liquor and makes lewd, sexual overtures to Rose and Ermyn. Other townspeople mock the family, show their rudeness, and even break their windows.

Stunning imagery, delicious turns of phrase, and lively dialogue make the narrative sparkle. The hands of Rose's small twins are described as "so delicate and fine they felt like broken toothpicks in little silk bags," while the sea is "smooth and wrinkle-free, like the face of a saint or a psychopath." Blood is carried as a motif throughout, and references to old Welsh legends connect the family with the past and offer dire portents of the future. Despite the harshness Ellis exhibits toward some of her characters, the reader develops empathy toward Rose and understands that poor Ermyn needs more emotional help than she is likely to get, but Ellis never allows the reader to get comfortable with this family's world. She shows that just as the sin eater cannot take on the sins of others, life has no guarantees of happy endings. Mary Whipple

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Amazon.com: 3.5 out of 5 stars  8 reviews
11 of 11 people found the following review helpful
5.0 out of 5 stars "Death was waiting in the house like a bailiff." 19 May 2004
By Mary Whipple - Published on Amazon.com
Format:Paperback
The Anglo-Welsh patriarch of an old family is dying in Llanelys, and his children and their spouses gather at the estate to await the end. Rose, the Irish wife of the oldest son Henry, is the sensible mother of twins who has worked to restore the estate and its gardens, make it a home, and, through her cooking, provide a sense of family warmth. In sardonic contrast to her is Angela, the oh-so-upperclass wife of the second son Michael, who looks down on Rose and everyone else not of the family's "class" and breeding. Arriving sometime later is the only daughter, Ermyn, young, schoolgirlish, and disturbed. Severely repressed and often ignored, she looks for answers in exotic religious expression, and like the sin eater of Welsh legend, believes she can take upon herself the sins of the Captain and the family.

Ellis wields language like a rapier, skewering family members for their caste-conscious concern with their "blood," and showing with mordant humor their deliberate separation from the community. The family is changing, if Rose, daughter of an Irish veterinarian, is any indication, just as Llanelys, now a tourist destination, has changed. But though the family may deserve to be satirized for its meaningless rituals, the local population is not exempt from Ellis's dissection, either. Phyllis, the caretaker for the Captain, saves the best of the family's food to feed her fat grandson, and he steals liquor and makes lewd, sexual overtures to Rose and Ermyn. Other townspeople mock the family, show their rudeness, and even break their windows.

Stunning imagery, delicious turns of phrase, and lively dialogue make the narrative sparkle. The hands of Rose's small twins are described as "so delicate and fine they felt like broken toothpicks in little silk bags," while the sea is "smooth and wrinkle-free, like the face of a saint or a psychopath." Blood is carried as a motif throughout, and references to old Welsh legends connect the family with the past and offer dire portents of the future. Despite the harshness Ellis exhibits toward some of her characters, the reader develops empathy toward Rose and understands that poor Ermyn needs more emotional help than she is likely to get, but Ellis never allows the reader to get comfortable with this family's world. She shows that just as the sin eater cannot take on the sins of others, life has no guarantees of happy endings. Mary Whipple

10 of 11 people found the following review helpful
5.0 out of 5 stars This book is amazing. 9 Feb 1999
By A Customer - Published on Amazon.com
Format:Hardcover

Ellis masterfully weaves the past and present together, exploring the power that story can have in a person's life. The Sin Eater, as one might expect is not the central focus of the novel, but a vehicle for healing. This novel is more about the healing power of story and of the past's effect on our present.

With its deep issues and intense emotion, this novel may not be appropriate for the young reader.

17 of 21 people found the following review helpful
3.0 out of 5 stars Fine writing but what a world view ! 4 May 2001
By Stefanie N - Published on Amazon.com
Format:Paperback
As in her "The Inn at the Edge of the World" Ms. Ellis gives us a group of unlikeable people who dislike each other. They are a household of aristocrats living on an estate in a Welsh seaside village. Despite the hostility that exists among them they are allied against the working class who are in ascendance, and whom they view as upstarts. They also barely tolerate the summer tourists. The narrative is unified by anticipation of a patriarch's death and by an annual cricket match that has become an "us vs. them" event. Rose, who marries into the family is especially well-drawn. Her casual cruelty in word and deed is often breathtaking. For example, she serves fat-laden meals, redolent of cream and butter--killing with kindness. The final tragedy is unexpected yet the logical outcome of the cruelty and weakness that have gone on before.

My problem with the novel is that there seems to be no right way to behave according to Ellis. The sister-in-law who speaks charitably of the working class comes off as condescending. The household staff are drunk and sly. The patriarch is portrayed as amoral and domineering. As fine a word-weaver as she is, surely a writer of such intelligence could do more than expose the weaknesses of every character she creates.

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