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He has created a Late Middle Ages subtly different from the ones we know--the failure of Christianity to become more than an outlaw faith has as its consequence a far more powerful rump of the Roman Empire in Byzantium. The politics of England and Italy are much as we know them--but the wars of the condottieres and the Roses have become part of a Byzantine master-plan of universal control and empire. An exiled prince, a one-eyed magician, a vampire artillery expert and a woman doctor with a side-line in assassination all come together to prevent this.
Ford does battle scenes, the smell of markets and the terror midnight rituals so well that at times it is hard to remember that this is not at all how things were. This is a book which, even though it was written as recently as 1983, deserves the title of Fantasy Masterwork. --Roz Kaveney
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In other areas, however, his skills desert him. The main characters are very well-drawn, with each protagonist getting his or her own extensive prologue illustrating their lives up until their meeting, and the beginning of the actual plot. The secondary characters, however, tend to be mere cyphers, a problem that so pronounced that when one King Edward dies and is replaced by another it is difficult to tell, despite the fact that the new king is only ten years old. Perhaps this stems from a reluctance on Ford's part to tamper with known historical characters, but it results in a cast whom it is difficult to sympathise with. A consequence of this is that the plot can get very difficult to follow. Convoluted plots are not necessarily a bad thing, but when combined with a deliberately evasive prose style they result in a tale that is not worth the effort of reading.
So, buy this book if you like convincing alternate history and detailed primary characters, but are willing to let a decent plot slide.
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