When I saw the sub-title "The Tales of Guinevere" for Alice Borchardt's "The Dragon Queen," I assumed she was going off in a new direction and since I was waiting for her next wolf book I just got around to reading it and discovering that it is, tangentially, a wolf book. What this means is that Maeniel is a character, albeit, a supporting character. He dominates the scenes in which he is present, but they are relatively few. This story is indeed about Guinevere, about to reach puberty and apparently intended to be the concubine of young Arthur, the summer King.
The most interesting part of this book are the ideas of kingship and queenship that drive Arthur and Guinevere. Borchardt may or may not be dealing with authentic notions of kingship from this period of history, but that hardly matters. The idea that the Dragon Queen has the duty of bringing her people a worthy king makes Guinevere a player in the power politics of her world where there is a growing need to bring order out of chaos. Reading "The Dragon Queen" is as much about finding out the rules of the game and the possibilities in play as it is about learning about the abilities and intentions of the characters. Consequently, Maneniel's presence is perhaps something of a hindrance because this book is certainly less grounded in the history of the times than "The Silver Wolf" or Borchardt's other novels. Then again, there is a logic to this, since Arthur and Guinevere are more figures of legend than Charlemagne or Julius Caesar.
Having read "The Dragon Queen" I keep asking myself one key question, and I do not mean whether Borchardt will ever have a book that does not have a quote from Anne Rice on the cover. No, my question is why is this story about Guinevere and Arthur? Of course, the fact that "The Dragon Queen" is the first of a planned trilogy is enough to suggest that at least the title character would make it to the final volume, but once you make it about Guinevere and Arthur we pretty much know the endgame, and while I definitely appreciate the idea of making Guinevere more than a trophy wife there has to be more of a payoff to this idea down the road, especially given that this Arthur seems more given to pragmatics than idealism. Additionally, there needs to be some sort of a significance to turning Merlin into a villain. However, at this point my enjoyment of the characters and the story has little to do with that fact it is Guinevere and Arthur. The only important thing is that I will be around for the rest of the tale.