- Paperback: 366 pages
- Publisher: Harcourt Publishers Ltd (Jun 1969)
- Language English
- ISBN-10: 0156260255
- ISBN-13: 978-0156260251
- Product Dimensions: 20.2 x 13.5 x 2.3 cm
- Average Customer Review: 5.0 out of 5 stars See all reviews (2 customer reviews)
- Amazon Bestsellers Rank: 289,785 in Books (See Top 100 in Books)
| ||||||||||||
Did you know you can trade in your old books for an Amazon.co.uk Gift Card to spend on the things you want? Plus, get an extra £5 Gift Certificate when you trade in books worth £10 or more before June 30, 2012. Visit the Books Trade-In Store for more details. |
Product details |
More About the Authors
Discover books, learn about writers, and more.
Product Description
Synopsis
The author reveals the experiences and associations of her extraordinary life and literary career in her personal journal.
Suggested Tags from Similar Products(What's this?)Be the first one to add a relevant tag (keyword that's strongly related to this product)
|
Sell a Digital Version of This Book in the Kindle Store
If you are a publisher or author and hold the digital rights to a book, you can sell a digital version of it in our Kindle Store.
Learn more
What Other Items Do Customers Buy After Viewing This Item?
Customer Reviews
Most Helpful Customer Reviews
12 of 12 people found the following review helpful
Format:Paperback
After decades of producing fiction that was rejected by mainstream readership and reviewers for being self-centered, exotic in prose, filled with psychological theory, and coterie in style, Anais finally found acceptance by integrating all of the above in this published version of her diary. Timing is everything, I suppose. The world of the 1930s-50s simply was not ready for her. The Aquarian generation of the 1960s was. When originally published this volume did not have a number in the title because no one thought it would sell enough to warrant a second volume. To the surprise of many, it would become the first in seven volumes - and then over 20 years later the unexpurgated versions of her diaries would be published, revealing that Anais was at the time having affairs with both Henry Miller and his wife. Eventually this material would be fashioned into the movie "Henry and June" (which I highly recommend). It would also pave the way for the re-issue of many of Anais Nin's long since out-of-print earlier fiction.
Anais Nin began a letter to her father, on the ship that carried her, her mother and brothers, away from him, away from Europe and to New York City. The letter was never sent (her mother did not think it appropriate), but instead developed into a diary she would continue to keep for decades. In this volume we meet Anais Nin living just outside of Paris with her husband, banker Hugh Guiler (who is barely visible in the diary, a point of contention for many who did not know that this was at his request). She has just published her study of DH Lawrence and is about to meet Henry Miller and his fascinating wife June (Nin's descriptions of June are among the most beautiful portions of her work). Her father soon reenters her life. This is a very exciting time in her life!
But what have I listed above? Nothing but a pile of facts. Facts are often boring, and seldom poetic - two accusations rarely leveled against Anais Nin. It was only after submerging myself in the history of this volume that I came to realize this: the linear history of this diary does not really matter; the accusations that Anais Nin lied about her life are immaterial. Anais Nin had a beautiful way with words and she was a master of crafting an image, of creating a persona. She was not truly the person she portrays in this volume, which she edited with Gunther Stuhlmann. But this is a beautiful and unique piece of literature that paved the way for many future artists, particularly female writers (Alice Walker has praised her work as profoundly liberating, and I can't help but think Maya Angelou took a cue from Anais Nin's concept of the continuous autobiographical novel). I have come to believe that it is not the possibility that she lied about her life that has upset so many people (some of whom refer to this as a "liary"), but that a woman should have such control over her own portrayal all the while defying so many of society's conventions.
Anais Nin may not have truly been the woman she portrays in this or future volumes, but it is the woman she wanted to believe she was - wanted the world to believe she was. I find that quite revealing, as revealing as any diary should be.
Andrew Parodi
Format:Paperback
This diary is absolutely fascinating and I don't think that it matters whether or not Anais was close to the character she had portrayed herself to be... What matters is that this is a brilliant piece of literature. I believe that her voice within the diary was her true voice; her higher self in some sense. Her style flows amazingly with candid sensitivity; I completely understand what Henry Miller saw in her feminine perception. The way she portrays herself is with innocence and naivety but also intelligence and curiosity.
This bohemian read will have you tranported back to the 1930's in Paris before she and Henry were famous for their writing. This book tells of a time in the world where individuals had more freedom and had more of a spirit of rebellion in them - they actually had a form enchantment and innocence to lose. Nowadays, young people only have to turn on the television to get exploited. This book also tells of a time which was most crucial for Anais, Henry and June, a time when their lives changed forever.
I also recommend the film and the book (Henry and June) in which the above reviewer calls to mind as it is based on this very book. It's ashame that the sex scenes were cut from this edition but you can read them in the 'Henry and June' diary edition which is also available on amazon. If you are bored and interested in living a life less ordinary this book will inspire you to do so. Do not waste any more time reading reviews just buy this book and see for yourself, you'll see exactly what I mean when you begin reading it!
This bohemian read will have you tranported back to the 1930's in Paris before she and Henry were famous for their writing. This book tells of a time in the world where individuals had more freedom and had more of a spirit of rebellion in them - they actually had a form enchantment and innocence to lose. Nowadays, young people only have to turn on the television to get exploited. This book also tells of a time which was most crucial for Anais, Henry and June, a time when their lives changed forever.
I also recommend the film and the book (Henry and June) in which the above reviewer calls to mind as it is based on this very book. It's ashame that the sex scenes were cut from this edition but you can read them in the 'Henry and June' diary edition which is also available on amazon. If you are bored and interested in living a life less ordinary this book will inspire you to do so. Do not waste any more time reading reviews just buy this book and see for yourself, you'll see exactly what I mean when you begin reading it!
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
21 reviews
100 of 104 people found the following review helpful
The centerpiece of Anais Nin's controversial career
19 Nov 2003
Format:Paperback
After decades of producing fiction that was rejected by mainstream readership and reviewers for being self-centered, exotic in prose, filled with psychological theory, and coterie in style, Anais finally found acceptance by integrating all of the above in this published version of her diary. Timing is everything, I suppose. The world of the 1930s-50s simply was not ready for her. The Aquarian generation of the 1960s was. When originally published this volume did not have a number in the title because no one thought it would sell enough to warrant a second volume. To the surprise of many, it would become the first in seven volumes - and then over 20 years later the unexpurgated versions of her diaries would be published, revealing that Anais was at the time having an affair with Henry Miller. Eventually this material would be fashioned into the movie "Henry and June" (which I highly recommend). It would also pave the way for the re-issue of many of Anais Nin's long since out-of-print earlier fiction.
Anais Nin began a letter to her father, on the ship that carried her, her mother and brothers, away from him, away from Europe and to New York City. The letter was never sent (her mother did not think it appropriate), but instead developed into a diary she would continue to keep for decades. In this volume we meet Anais Nin living just outside of Paris with her husband, banker Hugh Guiler (who is barely visible in the diary, a point of contention for many who did not know that this was at his request). She has just published her study of DH Lawrence and is about to meet Henry Miller and his fascinating wife June (Nin's descriptions of June are among the most beautiful portions of her work). Her father soon reenters her life. This is a very exciting time in her life!
But what have I listed above? Nothing but a pile of facts. Facts are often boring, and seldom poetic - two accusations rarely leveled against Anais Nin. It was only after submerging myself in the history of this volume that I came to realize this: the linear history of this diary does not really matter; the accusations that Anais Nin lied about her life are immaterial. Anais Nin had a beautiful way with words and she was a master of crafting an image, of creating a persona. She was not truly the person she portrays in this volume, which she edited with Gunther Stuhlmann. But this is a beautiful and unique piece of literature that paved the way for many future artists, particularly female writers (Alice Walker has praised her work as profoundly liberating, and I can't help but think Maya Angelou took a cue from Anais Nin's concept of the continuous autobiographical novel). I have come to believe that it is not the possibility that she lied about her life that has upset so many people (some of whom refer to this as a "liary"), but that a woman should have such control over her own portrayal all the while defying so many of society's conventions.
Anais Nin may not have truly been the woman she portrays in this or future volumes, but it is the woman she wanted to believe she was - wanted the world to believe she was. I find that quite revealing, as revealing as any diary should be.
Andrew Olivo
Anais Nin began a letter to her father, on the ship that carried her, her mother and brothers, away from him, away from Europe and to New York City. The letter was never sent (her mother did not think it appropriate), but instead developed into a diary she would continue to keep for decades. In this volume we meet Anais Nin living just outside of Paris with her husband, banker Hugh Guiler (who is barely visible in the diary, a point of contention for many who did not know that this was at his request). She has just published her study of DH Lawrence and is about to meet Henry Miller and his fascinating wife June (Nin's descriptions of June are among the most beautiful portions of her work). Her father soon reenters her life. This is a very exciting time in her life!
But what have I listed above? Nothing but a pile of facts. Facts are often boring, and seldom poetic - two accusations rarely leveled against Anais Nin. It was only after submerging myself in the history of this volume that I came to realize this: the linear history of this diary does not really matter; the accusations that Anais Nin lied about her life are immaterial. Anais Nin had a beautiful way with words and she was a master of crafting an image, of creating a persona. She was not truly the person she portrays in this volume, which she edited with Gunther Stuhlmann. But this is a beautiful and unique piece of literature that paved the way for many future artists, particularly female writers (Alice Walker has praised her work as profoundly liberating, and I can't help but think Maya Angelou took a cue from Anais Nin's concept of the continuous autobiographical novel). I have come to believe that it is not the possibility that she lied about her life that has upset so many people (some of whom refer to this as a "liary"), but that a woman should have such control over her own portrayal all the while defying so many of society's conventions.
Anais Nin may not have truly been the woman she portrays in this or future volumes, but it is the woman she wanted to believe she was - wanted the world to believe she was. I find that quite revealing, as revealing as any diary should be.
Andrew Olivo
64 of 69 people found the following review helpful
BREATHTAKING PORTRAIT OF A WOMAN!
10 May 2000
Format:Paperback
I first read the diaries in the 1970's and have reread them several times since. Anais shows the world the mind, psyche, soul and intellect of a woman seeking to squeeze every little drop out of life that she can. And she does. Her writing is pure poetry and never fails to inspire me. I highly recommend all of her diaries and her fiction. Never before in history has a woman so completely documented her inner life and dreams. Some of the most beautiful writing I've ever read.
27 of 29 people found the following review helpful
A bubble punctured
14 Aug 2010
Format:Paperback
It took me a long time, but I finally tracked down and read all the volumes of Nin's autobiography. The first time was in the days before Amazon, so it was not easy. At first I loved them. I had already read her novels and short stories. But gradually I got the sense of a person who rewrote her history to make herself look better. That was a disappointment. Then I discovered that she had omitted so much, lied about so much. If she had admitted that this was a reworking of her life I'd have accepted it. But her great claim was that, like Henry Miller, she wrote unadorned truth. I remember Miller and Durrell once describing her as a pathological liar. Then, later, even her sympathetic biographers discovered the same. We did not accept the hoax of J T Leroy (I saw through that one straight away) or James Frey. I now wonder why we should be any kinder to Nin. They are still an interesting read. But they require not a pinch, but a barrel of salt. Sometimes her fiction was more truthful than her journals.
Yes, I know this will be marked down as unhelpful. I do that to less than positive reviews too. But I am a disappointed fan.
Yes, I know this will be marked down as unhelpful. I do that to less than positive reviews too. But I am a disappointed fan.
Were these reviews helpful?
Let us know
Customer Discussions
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
Listmania!
Look for similar items by category
Look for similar items by subject
Feedback
- Would you like to update product info or give feedback on images?
- I am the Author, and I want to comment on my book.
- I am the Publisher, and I want to comment on this book.
