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The Devil's Walk Limited Edition


Price: £9.35 & FREE Delivery in the UK on orders over £10. Details
Includes FREE MP3 version of this album.
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Frequently Bought Together

The Devil's Walk + Krieg Und Frieden - Music For Theatre + Walls
Price For All Three: £31.80

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Product details

  • Audio CD (26 Sep 2011)
  • Number of Discs: 1
  • Format: Limited Edition
  • Label: Mute Artists
  • ASIN: B005E3U03U
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Bestsellers Rank: 92,150 in Music (See Top 100 in Music)

1. Sweet Unrest
2. Song Of Los
3. Black Water
4. Goodbye
5. Candil De La Calle
6. The Soft Voices Die
7. Escape
8. Ash/Black Veil
9. A Bang In The Void
10. Your House Is My World
11. The world around you

Product Description

BBC Review

Berlin-based producer Sascha Ring, aka Apparat, positioned his DJ Kicks mix, released in 2010, as a farewell to the dancefloor-focussed section of his career. His label Shitkatapult continues to release house and techno, but with The Devil's Walk Ring appears to have abandoned tracks that aim to move bodies in favour of songs that aim to move hearts.

The sonic touchstones for The Devil's Walk include Junior Boys, M83, the melancholic pop of Maximilian Hecker and, most obviously, Sigur Rós. The Icelandic band's predilection for surging anthems that quiver between celebration and sorrow looms large on Song of Los and Black Water, while The Soft Voices Die is so indebted as to be pastiche.

Elsewhere Ring tends to keep on the right side of influence, but his magpie tendencies remain apparent. The richly melodic A Bang in the Void, for example, apes Steve Reich's counterpoint works of the 1970s, as did Not a Number from his previous solo album, Walls (2007). Ring's attention to detail is typically exquisite here: the looped bowing of a cello provides a droning bassline beneath pitch-bent chimes.

Vocally The Devil's Walk finds Ring in lovelorn, po-faced mood. Song of Los, Black Water and Ash/Black Veil are essentially traditional power ballads given a tasteful electronic spritz: they're catchy, melodramatic, and pretty cheesy. Candil de la Calle pulls a lot of the same moves, but the shuddering lurch of its dubstep-influenced rhythm establishes a more interesting push and pull between vocal and melody. Ring's reliance on the power ballad form is puzzling. It's when he steps away from it, as on closing track Your House is My World, where a tremulous banjo and strings cocoon his Vincent Gallo-like vocal, that he achieves his most startling effects.

It's telling that one of the best songs here doesn't feature Ring behind the microphone. Goodbye resonates with the doom-laden delivery of Anja Plaschg, aka Soap&Skin, intoning above scrabbly clouds of acoustic guitar and piano chords that sink like a corpse in water. If only there was more drama of this sort here, and a little less schmaltz, to bolster Ring's talent as an arranger and a producer.

--Chris Power

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Customer Reviews

3.8 out of 5 stars
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Most Helpful Customer Reviews

6 of 6 people found the following review helpful By Mr. Bde Wall on 8 Oct 2011
Format: Audio CD Verified Purchase
I ordered this Album pre-release, along with Gui Boratto's new album 'III'. And this offering from Sascha Ring, A.K.A Apparat, trully blew Gui's tidy offering out of the water. The production quality is out of this world, and Apparat has done here what Gui badly failed to do; he showed a distinct move in direction and development to his sound. In truth, Apparat has done this with every album he has produced, whether alone or in conjunction with others (such as his albums with Modeselektor under the guise 'Moderat' or alongside Ellen Allien). This album is an album of songs, rather than electronic tunes. It may seem hard to believe the same man produced the incredible experimental techno masterpiece 'Multifunctionsebene' 7 years earlier, because this album feels more in following of the likes of Sigur Ros, M83, Radiohead and Depeche Mode than experimental techno. But, although this album has resemblances to more recent Apparat albums, most noteably 'Walls', it's clearly a shift from this too. Walls was highly orchestral, with many violin and string based melodies on show; this is more Folk/Rock/Indie orientated, yet still clearly electronica too.

'The Devil's Walk' is a very intelligent album. Apparat is a smart chap, and it shows. The lyrics across the album are inspired, the vocal performances (largely from Sascha himself) are deep and absorbing, and the balance between recognisable instruments and electronic exploration is finely tuned to perfection. 'Song of Los' is the highlight for me. I must admitt where I part from Wolf's excellent review; I prefer 'Walls' to this album. I feel more track-to-track variation is on show on 'Walls' (feel free to comment if you agree/disagree), and some of the tunes are just that little bit too sombre-pop in style for me.
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5 of 5 people found the following review helpful By The Wolf TOP 100 REVIEWERVINE VOICE on 6 Oct 2011
Format: Audio CD
Sascha Ring pitches up in Apparat guise with a wonderful new album.
'The Devil's Walk' finds him exploring new sonic territory without
compromising his electronic dance credentials. He would seem to have
taken time out to reflect on the nature of his muse and returns
with music possessed of a gentler and more soulful calibre than he
has delivered before. The ten tracks in this collection are high on
reflection and emotion. It is the finest work he has so-far produced.

If the haunting composition 'Goodbye' were the only one at our disposal
I would be satisfied. The eerie presence of Austrian singer Anja Plaschg,
aka Soap & Skin, (please, please do listen to her 2009 album 'Lovetune
For Vacuum'!) made the hair stand up on the back of my neck. The dark
arrangement moves forward at the pace of a heartbeat; Ms Plaschg's
world-weary vocal barely stirring the air around it. A desolate joy!

It's not all about shadows and scratchings in a closed tomb however.
Once 'Song Of Los' gets its skates on we are transported to a land
of light and uplifting beauty where even dance is possible. Mr Ring,
both here and elsewhere has a truly lovely voice. Sweet, sweet melancholy.

The faltering rhythm of 'Candil De La Calle' is another highlight. The
dream-like ambience is shot through with luminous synth chords and a simple
but affecting octave-spaced two-part harmony. A song to warm the blood.
'Escape', too, glimmers like a lone candle in a window guiding us safely home.
The touching melody, evocative lyrics and sublime string setting conveys
one of the loveliest inventions I have heard this year. A song to cherish!
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2 of 2 people found the following review helpful By J. C. Neale on 22 Oct 2011
Format: Audio CD Verified Purchase
The Devil's Walk is a very evocative and beautiful piece of work, right from the start.
As others have eluded to, it has a much more organic and 'natural' sound compared to Apparat's other work, yet it somehow feels like an electronica album.

It is, at first, difficult to describe. Gentle piano meets strings and deep, electronic undertones that combine to create some deeply moving pieces of music throughout.
The production value, as you would expect from Apparat, is top notch - And it is this that forms part of why each element gels together seamlessly.

Pieces like 'Goodbye' are a fantastic example of the warm, organic beauty of the album and the track 'Candil De La Calle' almost boarders on sounding like a Telefon Tel Aviv track, yet it still manages to encompass the trademark warmth and acoustic that this album has.

In summary, this album is smart, beautiful, exquisitely produced and absolutely essential listening in my book.

Do not let this slip your ears.
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2 of 5 people found the following review helpful By Scubadevils on 6 Nov 2011
Format: Audio CD
I bought this as a random purchase and on first listen actually felt like I'd need to return it, which is something I never do. The vocals simply annoyed me - I can't quite put my finger on it but it felt like an album where it was trying too much to be a bit electronic and a bit indie. I pressed on however and listened several more times and have still come to the conclusion that this would be a much better album with either none or considerably less vocals, in fact it could have been a real gem had it been purely instrumental. Not that I'm against vocals, I just don't think they work here which is a shame as they have a real impact on what could have been a 5 star album.
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