Sometimes it is a genuine joy to see a good old fashioned genre done so well that it takes your breath away, and so I am proud to present for your consideration The Devils Backbone, as effective and full blooded a ghost story as you are ever likely to see.
Written and directed by Guillermo Del Toro, the mastermind behind such fantastic pieces of cinema as Cronos and Pans Labyrinth, as well as the slightly disappointing super-hero movies Blade 2 and Hellboy (hey, even the best of us can make a mistake), the film centres around Carlos (Fernando Tielve). The year is 1939 and the Spanish Civil War is coming to its bloody end. Carlos is brought to an isolated orphanage by his tutor and guardian where he is left, unaware that his father, a Republican, has been slain in the war. Carlos accepts his fate, but life is anything but simple for him, in spite of the presence of the kindly Dr Casares (Federico Luppi), as young Carlos must contend with bullying from some of the other boys and the attentions of the sadistic caretaker Jacinto (Eduardo Noriega). But these tribulations are as nothing when Carlos becomes the focus of attention for a ghost that haunts the orphanage, the ghost of a fellow orphan Santi, who disappeared (or died) in mysterious circumstances, and appears to Carlos to warn him that "many will die". As the war closes in on the orphanage and much of Santi's warning comes to pass, the orphans must band together to fight the real evil that threatens them.
This is both a superb ghost story, a riveting drama and a coming of age tale all rolled into one, and the isolated location of the orphanage coupled with the impending threat of violence, from the war, from the bullies, from Jacinto or from the ghostly warnings of Santi, give the film an almost unbearable sense of tension and dread. And when true horror is visited upon the orphanage and the boys must band together, the film becomes a morality tale as well as a study of what people are capable of in the most dire of circumstances (shades of Lord of the Flies methinks).
The film is never less than beautiful to look at, and Del Toro uses an economy of direction, avoiding showy special effects and letting the story do all the work for him, pulling a series of superb performances from his cast, in particular Federico Luppi as Dr Casares, a kind and dignified man who promises never to abandon the boys, and remains true to his word throughout the film, and Eduardo Noriega as Jacinto, a terrific study of sadistic bullying and greed, as well as abandonment and loss. This film is easily the equal of anything Del Toro has done previously, and something of a companion piece to his following movie, the justly celebrated Pans Labyrinth. By turns beautiful, atmospheric and when it wants to be, scary as hell.