The Descent of Man is a collection of images from the May 2009 exhibition of the same name.
Focusing on ideas of religion, creationism, mythology, and science,Lenkiewicz engages in the elaborate project of 're-sequencing' (borrowing the term from geneticists) the existing language of images into a new and fantastical visual syntax. In the manner of a nineteenth century naturalist such as Darwin, Lenkiewicz catalogues the varieties of iconographic experience - grafting together multiple images to produce startling hybrids of a disturbing and uncanny new order of 'species
Focusing on ideas of religion, creationism, mythology, and science,Lenkiewicz engages in the elaborate project of 're-sequencing' (borrowing the term from geneticists) the existing language of images into a new and fantastical visual syntax. In the manner of a nineteenth century naturalist such as Darwin, Lenkiewicz catalogues the varieties of iconographic experience - grafting together multiple images to produce startling hybrids of a disturbing and uncanny new order of 'species