It is one of the great shames of Twentieth Century Science Fiction that Alfred Bester never wrote more and Asimov less. This startlingly innovative, iconoclastic and experimental work, Bester's first novel, was in its own way the 'Neuromancer' of its day. On one level it is a murder mystery in which the reader witnesses the murder, and from then on follows the investigation to bring the perpetrator to justice, or in this case, Demolition. Demolition involves having one's personality erased and rebuilt without the fatal flaws. In a sense it is Death, since one retains no memory of one's former life.
Bester portrays a future in which 'peepers' (i.e. telepaths) comprise about two percent of the population and Humanity has spread out to colonise the Solar System. He creates a rich, fabulous and detailed tapestry of society in the Twenty Fourth Century, far more credible and sophisticated than can be found in the work of some of his contemporaries.
The same can also be said for the characterisation since even the minor characters in this fast-paced psi-thriller seem fully-rounded individuals, if a little grotesque and eccentric. There is for instance, the madam and clairvoyant, Chooka Frood, who lives in an 'eviscerated ceramics plant' in which there was an explosion long ago. Her living space is a riot of colours, glazed onto the structure of the building.
There is Keno Quizzard, the blind red-bearded gangster and Duffy Wyg&, (Bester is at his best when he wittily plays with text and punctuation marks, creating such evolved names as @kins and S&nderson) a seductive composer of advertising jingles.
Ben Reich, the murderer and central figure has evolved an ingenious plot to murder his business rival D'Courtney, a man who is trying to destroy him professionally. He enlists the help of Gus Tate, a high-level telepath and psychiatrist, to provide him with access to his victim and to cover his tracks.
The murder however, is witnessed by D'Courtney's daughter who subsequently disappears.
It is up to Lincoln Powell, telepath, pathological liar and police-chief, to search for clues and find enough evidence to convict Reich and have him 'demolished'.
The settings include a romantic and implausible (but acceptable within the context of the work) Venus, and Spaceland, a flat space-habitat covered with atmospheric domes, which has become a kind of giant Theme Park in space.
Intrigue upon intrigue follows as Reich feverishly attempts to cover the tracks of his murder before Powell can discover the evidence to convict him.
It's a psychedelic rollercoaster of a novel, and highly recommended