The Deep is one of those sure-fire box-office hits that has all the right elements put together well enough to entertain but which still manages to seem just a little flat despite all the money and talent onscreen. There's Robert Shaw and novelist Robert Benchley back in business together after Jaws, Nick Nolte back in the days when he was seen as a wild man rather than a downright eccentric one, a sensuous John Barry score and, of course, Jacqueline Bisset in that wet t-shirt. There's no Great White on this voyage, though there is a school of smaller sharks in one sequence as well as a particularly nasty giant eel, but this time it's treasure that Shaw's hunting with a pair of unlikely companions in the waters off Bermuda. The Maguffin itself isn't a bad one either, with two tourists stumbling on not one but two shipwrecks: a Spanish galleon that lies underneath a WW2 supply ship full of morphine that Louis Gosset's local crime kingpin wants for himself. The underwater footage, mostly shot on sets constructed on the seabed, impresses but it's never quite as exciting as it could be and, as if taking its lead from the underwater scenes, the pace is never quite as urgent as it could be for a thriller. Sadly a lot of the blame for that seems to rest with the erratic Peter Yates' direction, which gets the job done professionally enough but could do with a bit more fire to it. It's enjoyable enough but it's one of those films that seem better after you've seen it than it does while you're watching it.
Columbia's original Blu Ray disc boasts some (but sadly not all) interesting deleted and extended scenes from the longer TV version restored to their original 2.35:1 ratio, mostly adding character background but including the original WW2 prologue where Cameron Mitchell's ship sinks in a storm and, in a neat touch, Robert Shaw and Eli Wallach's sons play their younger selves along with a below decks cameo from Benchley. There's also a vintage 50-minute TV special about the making of the film hosted by Shaw that details just what an impressive feat it was shooting the film's underwater scenes largely on location with a cast and crew initially inexperienced in diving. The quality isn't great but it's more than acceptable, with the widescreen transfer of the film itself a considerable improvement on the old extras-free DVD. But beware of Image's recent US Blu Ray release, which drops all of the extras and only contains the film.