Harvey Gillot - that's a name you're going to see mentioned more than a few times in The Dealer and The Dead. There are a number of strands that open up in the book following the aftermath of the war in a little village in Croatia and the work of investigators trying to uncover the crimes and atrocities committed there, but also ones that follow the activity of a UK police officer in Serious Crime Directorate, an investigator for Revenue and Customs, as well as the background of a contract killer, and the work of a peace campaigner. And then there's Harvey Gillot, an arms dealer, the figure whose name comes up in each segment and connects them all together.
The set-up is deftly handled if a little drawn-out. There are certainly quite a few threads to interweave, present day and historical, with quite a number of characters, and the author does well from keep them from getting too complicated, but it's at the cost of concision. It takes rather a long time to establish what is in reality a simple situation - a small village in Croatia has put out a contract on Harvey Gillot, an international arms dealer who let them down - no, make that betrayed them - eighteen years ago by failing to deliver an arms consignment that they had paid for and which they needed to defend their village.
Clearly, considering the nature of the characters and the subject matter, The Dealer and The Dead is not light reading. The opening in particular is dark and serious - almost too intense and bleak in its depiction of war crimes, grim discoveries of unmarked mass graves, the contemplation of suicide by survivors - and then there's the activity of a hit-man and an arms dealer who don't really have a lot of time for anything like a conscience. Even those on the side of law and order have their flaws and prejudices.
The pay-off for that much detail and the serious tone in which it is presented would need to be good, and fortunately, Gerald Seymour more than delivers. Again, there's no great complexity to what happens - the subsequent cat-and-mouse situation that develops between the hit-man and the target is also meticulously detailed and elaborated at length, but the devil - the moral and ethical questions that the subject raises - is in the detail and it adds tremendously to the building tension, the author in the process still keeping tabs on what is going on at the same time in the small village in Croatia, keeping in mind the rationale and the deep emotions that lie behind the planned hit.
With that established, the novel is indeed able to lighten up in the latter half with some splashes of dark humour that are well measured and sit well with the characterisation. I daresay the novel could have been tightened up with more rigorous editing to allow it to get to the point earlier - it doesn't really take off until a good 150 pages in - but the build-up proves to be essential to establishing a situation and a mood that would otherwise probably have been lost or been less effective, leading as it does towards a magnificent showdown finale.