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Inspector Alan Grant of Scotland Yard, recuperating from a broken leg, becomes fascinated with a contemporary portrait of Richard III that bears no resemblance to the Wicked Uncle of history. Could such a sensitive, noble face actually belong to one of the world's most heinous villains - a venomous hunchback who may have killed his brother's children to make his crown secure? Or could Richard have been the victim, turned into a monster by the usurpers of England's throne?
Grant determines to find out once and for all, with the help of the British Museum and an American scholar, what kind of man Richard Plantagenet really was and who killed the Princes in the Tower.
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The title of the book is derived from a historical source, as it is attributable to Sir Francis Bacon, "For truth is rightly named after the daughter of time, and not of authority." The book itself is not a traditional mystery but rather an application of deductive reasoning to an actual historical event. The event in question is the murder of the princes in the tower, sons of King Edward IV, allegedly by their uncle, Richard III, who eventually usurped the English throne after the death of his brother. It has been widely held that Richard III did, indeed, murder the two young princes, his nephews, in order to secure his claim to the throne.
The reader is introduced to Scotland Yard Inspector Alan Grant, who is hospitalized and recovering from injuries sustained in the line of duty. While convalescing, he becomes intrigued by a picture of a portrait of Richard III, a likeness with which he is unfamiliar. Grant is puzzled that someone with such a sensitive face could have been such a monster as to murder his two nephews in cold blood. So, our intrepid Inspector decides that he will reconsider the evidence upon which such a dastardly assumption has been based. With the help of an American researcher doing the necessary legwork, Grant compiles enough archival historical fact that incrementally helps him formulate a new theory as to who actually may have murdered the princes in the tower.
This analysis and reformulation is done as though it were being argued to a jury. Indeed, so persuasive is Inspector Grant through the application of some insightful deductive reasoning and clever dialogue that the reader comes away thinking that Grant has solved one of the most intriguing historical mysteries of all time. This is certainly an unusual book conceptually but one that succeeds brilliantly. It should appeal to those readers who enjoy having a mystery unraveled, as well as to those who harbor a love of English history. Bravo!
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