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The story continues directly from the end of Song of Susannah, but this time is much more of an epic fantasy than a surreal metafiction (a word King tells us he hates, but is stuck with). Roland finally reaches The Dark Tower, but getting there is a wonder in itself, a bleak and often tragic tale with King pulling no punches as the small band of warriors find their destinies. There is more action and excitement, suspense and adventure than in the two proceeding volumes--from desperate chases to battles with a giant spider--while the tone is often melancholy with the remorseless of fate. King works within the patterns of the great fantasy epics, from the Arthurian legends to The Lord of the Rings and his writing is as beautiful as it is unsparingly graphic. The final 100 pages are simply breathtaking in their perfect dark beauty. Doubtless the meaning of it all will be debated for decades to come, with some loving the ending, others feeling let down. But the result is an immensely bold piece of work which avoids the clichés of stock heroic fantasy while completely fulfilling the series atavistic promise. One thing is certain, the final pages will make many readers head straight back to the first volume, The Gunslinger to make the journey all over again.--Gary Dalkin --This text refers to an out of print or unavailable edition of this title.
But in The Dark Tower, he stops that and fast. Unlike the last two entries, this book harks back to an older style of Dark Tower book: action, lots of action, and good action to boot. The way the story flows most strongly resembles The Waste Lands, my favourite book of the series up to this. One thing King uses very well is the plot device of having himself in the story, he really plays around with it, and it works. This book has everything: great joy, terrible sorrow, suspense, horror, love, and most important of all: everybody's favourite characters return. Roland and his ka-tet are all present, of course, but Walter's back, too. And a certain author is still knocking around... New characters appear as well, such as Roland's half-human son, Mordred (brilliantly written, and nasty as hell.), and his OTHER father, The Crimson King, is finally more than just a menacing prescence. I won't mention any other new characters, but those of you who know your Dark Tower connections in SK's other work will see a few friendly faces.
Kicking in where the cliffhander ending of volume six left off, we find Jake and Pere Callahan (accompanied by Oy) entering the Dixie Pig in search of Susannah. It's a tense situation, and we love it. Kudos to King for the echoes of 'Salem's Lot. Susannah is handling her own escape plans, and trying to avoid her newborn son (who has a nasty habit of turning into a spider). On top of this, Walter's in the shadows, and his motives are far more ulterior than we suspected, this guy's only in it for himself. Meanwhile, in Keystone America (as the real world is called), Roland and Eddie have to get back to the future, but it's never as easy as it sounds....
It's only after the Tet re-unite and return to Mid-world that things really get going. Their first port of call is Thunderclap and the Devar-toi (which is where the Breakers hang out), and then it's on to the tower, and whatever the tower contains, but the road is dangerous, and there are many ways to die and worlds to do it in...
Overall, I found the book extremely hard to put down from beginning to end, and it may well be one of the best books King has ever written. I know some of you want to know if there's a happy ending, but as Sai King says, ultimately, there's no such thing. The end may not be everything you hoped for, but the journey was definitely worth it. I'm just sorry it's over.
*****/*****
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