This powerful book intertwines the perspective of four very different characters during and in the immediate aftermath of the Zulu Wars. The novel opens in a Victorian English village, and the morals, sentiments and (meticulously) the language recreate the version of that era depicted in the literature, journals and letters of the time. But this is not a bonnets and balls story.
The Dark Tower is a feminist narrative that is also deeply curious about and empathetic with men, recognising the intolerable stresses inherent in the `heroic' public lives men are expected to lead as well as kicking against the corset-like constraints endured by women. The Dark Tower shows what happens when social constructs collapse, under assault from desire, disease, death and the determination of Laura Brooke and her might-have-been mother-in-law, Mrs Reynolds.
Koning interweaves the extraordinary quest of two English ladies travelling to the battlegrounds of a very alien Kwazulu Natal with a penetrating analysis of the manners, morals and expectations of Victorian England and the Empire. By the end of the novel Laura's sensibilities have been stripped bare and she has constructed for herself a new way of being. Christina Koning offers an early, fragile premonition of the post-colonial, multicultural world that would emerge at the end of the twentieth century. But getting there won't be easy - In a novel full of movingly realised unhappiness there is clearly more to come for individuals and for the two countries, England and South Africa.
This brilliant evocation of disappointment, defeat, desire, unfulfilled longing and destructive lies also portrays generosity of spirit, love and a pioneering sense of physical and emotional adventure that pulls away from comfort and towards illumination from beyond the darkness. Christina Koning has with great skill created a thoughtful novel that mercilessly unmasks deceit and is also as descriptive as a top travelogue - her nineteenth century South Africa bursts into life on its pages.