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The Dark Tower [Paperback]

Christina Koning
5.0 out of 5 stars  See all reviews (6 customer reviews)
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Book Description

April 2010
The Dark Tower is a historical novel by award-winning author Christina Koning set in South Africa in 1879. Koning brilliantly analyses a doomed love affair set against the events leading to the defeat of the British army by the Zulus at Isandhlwana.

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Product details

  • Paperback: 230 pages
  • Publisher: Arbuthnot Books (April 2010)
  • Language: English
  • ISBN-10: 0956521401
  • ISBN-13: 978-0956521408
  • Product Dimensions: 20.3 x 1.3 x 12.7 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Bestsellers Rank: 1,045,091 in Books (See Top 100 in Books)

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Product Description

About the Author

Christina Koning was born in Kuala Belait, Borneo and grew up in Venezuela and Jamaica. She has worked as a travel writer and journalist - most recently for the Times. Her novels include A Mild Suicide, which was short-listed for the David Higham Prize for Fiction; Undiscovered Country, which won the Encore Prize and was long-listed for the Orange Prize, and Fabulous Time, which was awarded a Society of Authors Travelling Scholarship. She lives in London.

Christina Koning was born in Kuala Belait, British Borneo, and spent her early childhood in Venezuela and Jamaica. She reviews fiction for The Times and has taught creative writing courses at the University of Oxford and Birkbeck, University of London. Her first novel, A Mild Suicide, was published by Lime Tree in 1992. Her most recent novel is Fabulous Time (Viking), which won a Society of Authors Traveling Scholarship; her second novel, Undiscovered Country (Penguin), won the Encore Award for fiction and was long-listed for the Orange Prize.

Excerpt. © Reprinted by permission. All rights reserved.

He'd had no intention of falling in love with Laura Brooke. It had happened, that's all. Being thrown together with her at Cora De Villiers's; and then finding her so very much out of reach. If she'd been a widow, it might have been easier; or even a woman unhappily married -- he'd met a few of those. But to have fallen for someone who barely knew he was there, because her thoughts were fixed on the man she loved -- a man, moreover, who happened to be dead -- was the kind of darned bad luck he'd never run into till then.

She had intrigued him from the start. She was reserved -- but then most Englishwomen were. This was more than just maidenly bashfulness. He'd never had the slightest trouble overcoming that. A remark about the brightness of someone's eyes, or the whiteness of someone's hand, usually sufficed in such cases, he'd found.

Septimus was not unduly prone to vanity, but he knew that he generally passed muster with the female sex. Women liked him; they noticed him.
Only this woman failed to notice him.

He'd called the morning after Cora De Villiers's party, hoping to see her once more, but had found only the mistress of the house, looking sallow and greasy-faced after a late night and too much champagne.

`Oh, it's you,' she said, as he walked into the room. `I thought it was that old bore Schermbrucker. He's got it into his head that he's in love with me...'
`The way you looked last night in that pretty red dress, I can't say I blame him at all.'
Cora raised an eyebrow at this. `Flatterer. I know it's not my charms which draw you here.' He was startled. What had she guessed? Then he saw that she
was laughing. `Confess it,' she said. `You've fallen in love with Laura Brooke.
Don't think I didn't see you, whispering away in the corner together...'
It was easy to parry absurdity with further absurdity.
`I can tell you straight out -- she isn't my type. I like a woman with a bit more `go'...'
Miss Leibbrandt, who was mending a stocking in an obscure part of the room, gave a small cough.
`You Americans and your barbarous expressions,' said Mrs De Villiers lightly. But he could tell he had pleased her, by the amorous look she threw him. `You'll be joining us for luncheon, I suppose?'

He'd opened his mouth to refuse when the sound of voices drifting through the open veranda doors alerted him to the return of the two English ladies. `Why, that'd be swell,' he said, and was rewarded with another soft look from his mistress.

When Laura Brooke walked in, he was struck again by the graceful way she held herself; she had none of Cora De Villiers's imperious style, and yet she drew the eye. He thought she seemed glad to see him, although she threw him only a brief smile. But maybe that was on account of Cora being there, with a face like a cat watching a mouse. There wasn't much love lost between those two -- that much was plain to see.

`Ah, there you are, Miss Brooke!' said Cora. `So thoughtful of you to join us at last! And dear Emiline, too,' she added, as that lady came in. `You are looking very pale, my dear. I hope you are not tired out from all your rambling about the garden...'
`Not in the least,' said Mrs Reynolds. `The air has done me good.'
`Miss Brooke does so insist on her walks -- do you not, Miss Brooke?' went on Mrs De Villiers. `I have never met such a one for walking. Only the other day I had to send the boy to find her, because she had got lost in the woods at Newlands...'
Laura smiled. `I was not lost. I had forgotten the time.' `I have warned her and warned her of the dangers of snakes and scorpions,' said Cora De Villiers. `But do you think she will listen?'
`I always have a good stick with me,' said Laura. `And my boots are quite stout.'
`Indeed,' said her hostess, barely suppressing a shudder.
`If you like walking, you must certainly climb the Lion's Head,' said Septimus, aware as he spoke that his intervention could only add fuel to the fires of his mistress's jealousy. `There's a remarkably fine view to be had from the top of it. I could take you, if you like...'

It was worth any amount of sulking on Cora's part to see the look that Laura Brooke gave him. As if he had offered her the dearest wish of her heart.
`Would you?' At once her expression clouded. `But it would be an imposition...'
`Not a bit,' he replied, amused by the furious looks that Cora was directing at him. `We could go tomorrow, if you like. The climb itself takes little more than two hours. Early morning is the best time -- to avoid the worst of the heat, you know.'
`I should like that very much,' said Laura. `That is -- if you can spare me,' she added to Mrs Reynolds.
`Oh, my dear, of course you must go,' said that lady. `Since Mr Doyle is so kind as to offer to accompany you...'
`Why don't we all go?' interjected Mrs De Villiers, with a triumphant glance at her lover. `Emiline will enjoy the drive -- will you not, dear? There is a pleasant enough view from Signal Hill. And Gertrude likes a walk--do you not, Gertrude? She can go with you on your climb, whilst Emiline and I have a nice long gossip. We can take a picnic!' she cried, her good humour quite restored, it seemed, by her annexation of the plan.


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3 of 3 people found the following review helpful
5.0 out of 5 stars The Dark Tower 4 July 2010
Format:Paperback
This powerful book intertwines the perspective of four very different characters during and in the immediate aftermath of the Zulu Wars. The novel opens in a Victorian English village, and the morals, sentiments and (meticulously) the language recreate the version of that era depicted in the literature, journals and letters of the time. But this is not a bonnets and balls story.
The Dark Tower is a feminist narrative that is also deeply curious about and empathetic with men, recognising the intolerable stresses inherent in the `heroic' public lives men are expected to lead as well as kicking against the corset-like constraints endured by women. The Dark Tower shows what happens when social constructs collapse, under assault from desire, disease, death and the determination of Laura Brooke and her might-have-been mother-in-law, Mrs Reynolds.
Koning interweaves the extraordinary quest of two English ladies travelling to the battlegrounds of a very alien Kwazulu Natal with a penetrating analysis of the manners, morals and expectations of Victorian England and the Empire. By the end of the novel Laura's sensibilities have been stripped bare and she has constructed for herself a new way of being. Christina Koning offers an early, fragile premonition of the post-colonial, multicultural world that would emerge at the end of the twentieth century. But getting there won't be easy - In a novel full of movingly realised unhappiness there is clearly more to come for individuals and for the two countries, England and South Africa.
This brilliant evocation of disappointment, defeat, desire, unfulfilled longing and destructive lies also portrays generosity of spirit, love and a pioneering sense of physical and emotional adventure that pulls away from comfort and towards illumination from beyond the darkness. Christina Koning has with great skill created a thoughtful novel that mercilessly unmasks deceit and is also as descriptive as a top travelogue - her nineteenth century South Africa bursts into life on its pages.
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3 of 3 people found the following review helpful
5.0 out of 5 stars Historical fiction at its best 21 Jun 2010
Format:Paperback
I had to read The Dark Tower in one sitting, as the people in it are so real and alive, and the secrets at the novel's heart are so intricately concealed. Christina Koning's detailed knowledge of the place and the times is brilliantly handled - the book never feels even slightly didactic, even though you're learning so much about the real workings of empire-building - what that scramble for Africa was really about, what human loss was involved on all sides. This is historical fiction at its best - an enlightening read, and above all an enthralling story. Highly recommended.
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2 of 2 people found the following review helpful
5.0 out of 5 stars The Dark Tower by Christina Koning 1 Aug 2010
Format:Paperback
Christina Koning has achieved awards for earlier novels. This undoubtedly merits a prize, a beautifully written, gripping literary novel.
It would appeal to many tastes; those favouring romance, social and personal relationships; historical fiction; a new take on military history; a wide African landscape; a female protagonist who in challenging her time in gender history discovers strength and generosity; a book told from different viewpoints.
In addition to the narrative content the physical form of the book attracts. Arbuthnot books have published with an appealing cover, the perfect size and shape,printed on smooth, rich paper.
I recommend this book with no hesitation.
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