The Dark is Rising Sequence: "Over Sea, Under Stone"; The "Dark Is Rising"; "Greenwitch"; The "Grey King"; "Silver O" (Puffin Books) [Paperback]

The first book in the sequence was clearly originally written as a stand-alone book, but I would guess it planted seeds of ideas which took a decade to germinate when she picked up the story again. After the long gap, the next four books came quite thick and fast (coinciding with my childhood) and the writing of them is dynamic and exciting. The characters are fantastic, with the Merlin figure Merry being one of the most endearing attempts to create that arch-sorcerer. They are great fun from start to finish and are as intelligent, fresh and fantastic as when I first read them nearly thirty years ago (ouch!).

"Over Sea Under Stone" features the three Drew children coming to stay with Merriman Lyon. In his attic, they find an ancient treasure map that leads to a hidden grail -- if they can only figure out what the map's writing and symbols mean. But they are not the only ones who are looking for the grail -- three sinister people are in pursuit.

"The Dark is Rising" shifts its focus elsewhere. On his eleventh birthday, young Will Stanton encounters the mysterious Merriman, and is told that he is the last of the immortal "Old Ones" who are fighting the forces of evil (known as the Dark). As the power of the Dark grows, Will must gather the six Signs that can help stop them -- and protect his friends and family from the Dark.

"Greenwitch" brings the four young heroes together. Will and the three Drew kids are brought to Cornwall, where the grail has been stolen. Jane is haunted by nightmares about the Greenwitch, a symbolic weaving of branches and leaves cast into the sea, and a sinister artist captures Barney. But the Greenwitch is not just a tangle of sticks -- it's alive with wild magic that neither Old Ones nor the Dark can control.

"Grey King" is the threat of the Dark. Will is recovering from an illness in Wales, where he meets a "raven boy" (an albino Welsh boy, Bran) and a dog with "eyes that see the wind" -- part of an old legend. Will must lead Bran into a closer connection with the Old Ones. But when an accident befalls the dog, Bran is angry with the Old Ones -- until the truth of his past comes to light.

"Silver on the Tree" brings the series to a climax. Will receives visions of the past, and a message from Merriman that the final battle between the Dark and the Light is about to come. Evil creatures (minks, specifically) are swarming near his house -- and the Old Ones, while almost ready, don't have the power of the Lady. He teams up with the Drews and with Bran to find the Lost Land... and the means of saving the world.

Sure, fantasy incorporating old myth and legend is nothing new. People have been doing it for as long as the genre has existed. But Susan Cooper brings the idea of time-travelling immortals and ancient magic to life in this, with a hefty dose of adventure and tragedy.

Cooper's writing is detailed and atmospheric, although the first book is much more plainly written than the following four. She can switch instantly from lighthearted to mystical and back again, and her writing is heavy with description. Moreover, she takes the folklore and legends of Britain and interweaves them with Arthurian legend, giving the whole Arthurian story a new spin.

While some may not like the portrayal of good and evil as evenly matched, the strength of the Old Ones' determination is extremely invigorating. They're powerful, but still very human. And there are lessons carefully interwoven about good and evil, about loyalty, compassion, redemption, and friendship. These sentiments are never gooey, just powerful.

The characters are overall quite good. Jane, Barney and Simon Drew are a little less endearing because they seem a little dated and similar. Will Stanton, however, has the sparkling quality of a truly classic character, a mixture of a wise ancient being and a preteen boy. Bran, as the heir of Arthur, is a fantastic accompaniment to Will. And Merriman looms over it all as the all-seeing Merriman, alternately forbidding and dignified or kindly and grandfatherly.

With its majestic prose and entrancing, otherworldly characters, the "Dark is Rising Sequence" is a remarkable piece of work, and one that deserves many rereadings. Outstanding.