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This is, of course, the country of Silvio Berlusconi, the tycoon whose controversial election via his stranglehold on the media was (to British eyes at least) something that should not be countenanced in a non-totalitarian country. While always taking on board the glories of Italy, Jones' picture of the country is both fascinating and disturbing: this is a land torn apart by civil wars and endemic corruption, the still influential Cosa Nostra and unbending Catholicism exert considerable sway.
Italy remains utterly unlike any of its European neighbours. Jones sees links between the powerful creativity of the Italian soul and the 'dark heart' that he refers to in his title. What is most remarkable about the book is the fact that no one who loves Italy will be at all disenchanted to encounter the truths that Jones presents to us. If anything, the complex and contradictory nation that emerges will hold an even greater fascination for both the serious student and the casual visitor. --Barry Forshaw
When people find out I am Italian they tell me of how wonderful my country is and how strange I want to live in gray England. I always say Italy is beautiful, but I wouldn't live there as it's full of Italians. It is hard to quickly explain to people why I think this, so it's very helpful for me to read and recommend books like Tobias Jones' and Tim Parks'. These authors have a first hand experience of Italy and offer detachment and perspective in their reports and analysis.
All Italians will tell you Italy is a mess (un casino). They will not tell you why - as they'd have to explain 2000 years of history first - so they will divert the conversation to all the "unquestionably" beautiful things of the country: food, art, scenery, sun etc... Most Italian have no encompassing grasp of the last 30 years' history. Tobias Jones helpfully summarizes all the connections between terrorism, politics, Communists, Fascists, Berlusconi - the protagonists of Italy after WW II, and family, church and language - the pillars of Italian culture.
Mr Jones' problem is that he has never really escaped from the clutches of the Italian Ancient Mariners. He has an unfortunate weakness for listening to their tales and, worst of all, he tends to give the tales a credence that they don't always deserve. And my goodness how tedious his versions of some of the stories can be.
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