The Custom of the Country
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Review
"A well-presented edition. Orgel's introduction is superior."--Marvin Magalaner, NYU
"An excellent edition, with just the right amount of apparatus."--Burton Raffel, University of Southwestern Louisiana
--This text refers to an out of print or unavailable edition of this title.
"An excellent edition, with just the right amount of apparatus."--Burton Raffel, University of Southwestern Louisiana
--This text refers to an out of print or unavailable edition of this title.
Product Description
First published in 1913, Edith Wharton’s The Custom of the Country is a scathing novel of ambition featuring one of the most ruthless heroines in literature. Undine Spragg is as unscrupulous as she is magnetically beautiful. Her rise to the top of New York’s high society from the nouveau riche provides a provocative commentary on the upwardly mobile and the aspirations that eventually cause their ruin. One of Wharton’s most acclaimed works, The Custom of the Country is a stunning indictment of materialism and misplaced values that is as powerful today for its astute observations about greed and power as when it was written nearly a century ago.
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Most Helpful Customer Reviews
9 of 9 people found the following review helpful
Format:Paperback
Few social climbers are as surreally despicable as Edith Wharton's Undine Spragg, who doesn't care what happens to anyone else as long as she can shop and party. And "The Custom of the Country" is the perfect example of what such people do to the people around them. It's nauseating and brilliant, all at once.
Undine Spragg is a mesmerizing beauty from a tiny town, whose parents made a small-scale fortune and have moved to the glitzy world of New York. Undine wants the best of everything, more than her family can afford, but she thinks it's all worth it -- so she marries a besotted son of "old New York," but it doesn't take long for him to realize how incompatible they are.
And he doesn't realize that Undine is hiding a (then) shameful secret -- she was once married and quickly divorced from a vulgar businessman. In the present, Undine continues her quest for a life of pleasure, moving on to a French nobleman and getting just as dissatisfied with him. The only way to succeed lies in the one man who sees her for what she is.
Undine Spragg may actually be one of the most despicable, selfish characters in all of classic literature -- she literally doesn't care about anyone but herself, or who she hurts. You'd think a book about someone like that would be dreary, but instead it's one long needle at the people like Undine, who care only for money, status and fun.
But it's also about the changing fortunes in late 19th-century America (and Europe). New money -- symbolized by Undine and her shrewd, megarich ex-hubby -- was squeezing out the old guard, who were never terribly rich to start with. Wharton's observations on their rise and decline have a sharp, biting edge. Although compared to the anti-heroine, the old traditions seem pretty innocent.
Lots of celebrity socialites could take a lesson from Undine's story: she's a snob of humble stock, thinks she's a great person, and utterly selfish -- if her husband shoots himself, that's great! She can marry again without the disgrace of a divorce! Yet in the end, you know that Undine will always be craving something more that she thinks will make her happy, but she will never find it.
The characters around Undine are usually nice, but blinded by her nymphlike beauty -- and even her parents, who know what she's like, are too beaten-down by her whining to resist. Only her ex-husband, Ralph Marvell, is really right for her -- not only is he obscenely rich and just as grasping as Undine, but he's smart enough to know what a monster she is.
"The Custom of the Country" is a wickedly barbed, brilliant piece of work, with one of the nastiest anti-heroines ever, and a great look at the rising tides of "new money." A must-read.
Undine Spragg is a mesmerizing beauty from a tiny town, whose parents made a small-scale fortune and have moved to the glitzy world of New York. Undine wants the best of everything, more than her family can afford, but she thinks it's all worth it -- so she marries a besotted son of "old New York," but it doesn't take long for him to realize how incompatible they are.
And he doesn't realize that Undine is hiding a (then) shameful secret -- she was once married and quickly divorced from a vulgar businessman. In the present, Undine continues her quest for a life of pleasure, moving on to a French nobleman and getting just as dissatisfied with him. The only way to succeed lies in the one man who sees her for what she is.
Undine Spragg may actually be one of the most despicable, selfish characters in all of classic literature -- she literally doesn't care about anyone but herself, or who she hurts. You'd think a book about someone like that would be dreary, but instead it's one long needle at the people like Undine, who care only for money, status and fun.
But it's also about the changing fortunes in late 19th-century America (and Europe). New money -- symbolized by Undine and her shrewd, megarich ex-hubby -- was squeezing out the old guard, who were never terribly rich to start with. Wharton's observations on their rise and decline have a sharp, biting edge. Although compared to the anti-heroine, the old traditions seem pretty innocent.
Lots of celebrity socialites could take a lesson from Undine's story: she's a snob of humble stock, thinks she's a great person, and utterly selfish -- if her husband shoots himself, that's great! She can marry again without the disgrace of a divorce! Yet in the end, you know that Undine will always be craving something more that she thinks will make her happy, but she will never find it.
The characters around Undine are usually nice, but blinded by her nymphlike beauty -- and even her parents, who know what she's like, are too beaten-down by her whining to resist. Only her ex-husband, Ralph Marvell, is really right for her -- not only is he obscenely rich and just as grasping as Undine, but he's smart enough to know what a monster she is.
"The Custom of the Country" is a wickedly barbed, brilliant piece of work, with one of the nastiest anti-heroines ever, and a great look at the rising tides of "new money." A must-read.
3 of 3 people found the following review helpful
Format:Paperback
"The Custom of the Country" is hard and unflinching in its telling of Undine Spragg's relentless pursuit for fortune and fame in the early 20th century. Through Undine Spragg and her various loves, Ms Wharton articulates her thoughts on the effect of the New York society's customs on the expected roles of men and behaviours of women. Ms Wharton further shows that the same can be said of another country's society when she moves the story to Paris in the later part of the book.
In Undine Spragg, Ms Wharton has spared no punches in portraying her self-centred personality and thoughts, who according to her is a perfect example of the product of New York society's customs.
As with the "House of Mirth", very few of the characters in "The Custom of the Country" were given a reprieve from the fate that they seem destined to suffer. This cannot be brought across more starkly than in the scene where Undine's husband, Ralph Marvell, finally uncovers the full scale of her lies and deception. His subsequent mental breakdown is excruciating and highly emotive. Yet at the same time, there is an ethereal quality to the loss of his grip on reality, which makes for compelling and climatic reading.
Ms Wharton does not, for any moment, spare her reader any anguish and agony in the story of Undine Spragg and particularly that of Ralph Marvell. The rare moments of true tenderness and calm in the novel are often employed to sensitise one's feelings and deepen the pity, before a devastating blow is delivered. At such points, one cannot help but submit helplessly and almost unquestioningly to Ms Wharton's portrayal of her characters, and ultimately to her sublime story-telling.
In Undine Spragg, Ms Wharton has spared no punches in portraying her self-centred personality and thoughts, who according to her is a perfect example of the product of New York society's customs.
As with the "House of Mirth", very few of the characters in "The Custom of the Country" were given a reprieve from the fate that they seem destined to suffer. This cannot be brought across more starkly than in the scene where Undine's husband, Ralph Marvell, finally uncovers the full scale of her lies and deception. His subsequent mental breakdown is excruciating and highly emotive. Yet at the same time, there is an ethereal quality to the loss of his grip on reality, which makes for compelling and climatic reading.
Ms Wharton does not, for any moment, spare her reader any anguish and agony in the story of Undine Spragg and particularly that of Ralph Marvell. The rare moments of true tenderness and calm in the novel are often employed to sensitise one's feelings and deepen the pity, before a devastating blow is delivered. At such points, one cannot help but submit helplessly and almost unquestioningly to Ms Wharton's portrayal of her characters, and ultimately to her sublime story-telling.
5 of 6 people found the following review helpful
Format:Paperback
Few social climbers are as surreally despicable as Edith Wharton's Undine Spragg, who doesn't care what happens to anyone else as long as she can shop and party. And "The Custom of the Country" is the perfect example of what such people do to the people around them. It's nauseating and brilliant, all at once.
Undine Spragg is a mesmerizing beauty from a tiny town, whose parents made a small-scale fortune and have moved to the glitzy world of New York. Undine wants the best of everything, more than her family can afford, but she thinks it's all worth it -- so she marries a besotted son of "old New York," but it doesn't take long for him to realize how incompatible they are.
And he doesn't realize that Undine is hiding a (then) shameful secret -- she was once married and quickly divorced from a vulgar businessman. In the present, Undine continues her quest for a life of pleasure, moving on to a French nobleman and getting just as dissatisfied with him. The only way to succeed lies in the one man who sees her for what she is.
Undine Spragg may actually be one of the most despicable, selfish characters in all of classic literature -- she literally doesn't care about anyone but herself, or who she hurts. You'd think a book about someone like that would be dreary, but instead it's one long needle at the people like Undine, who care only for money, status and fun.
But it's also about the changing fortunes in late 19th-century America (and Europe). New money -- symbolized by Undine and her shrewd, megarich ex-hubby -- was squeezing out the old guard, who were never terribly rich to start with. Wharton's observations on their rise and decline have a sharp, biting edge. Although compared to the anti-heroine, the old traditions seem pretty innocent.
Lots of celebrity socialites could take a lesson from Undine's story: she's a snob of humble stock, thinks she's a great person, and utterly selfish -- if her husband shoots himself, that's great! She can marry again without the disgrace of a divorce! Yet in the end, you know that Undine will always be craving something more that she thinks will make her happy, but she will never find it.
The characters around Undine are usually nice, but blinded by her nymphlike beauty -- and even her parents, who know what she's like, are too beaten-down by her whining to resist. Only her ex-husband, Ralph Marvell, is really right for her -- not only is he obscenely rich and just as grasping as Undine, but he's smart enough to know what a monster she is.
"The Custom of the Country" is a wickedly barbed, brilliant piece of work, with one of the nastiest anti-heroines ever, and a great look at the rising tides of "new money." A must-read.
Undine Spragg is a mesmerizing beauty from a tiny town, whose parents made a small-scale fortune and have moved to the glitzy world of New York. Undine wants the best of everything, more than her family can afford, but she thinks it's all worth it -- so she marries a besotted son of "old New York," but it doesn't take long for him to realize how incompatible they are.
And he doesn't realize that Undine is hiding a (then) shameful secret -- she was once married and quickly divorced from a vulgar businessman. In the present, Undine continues her quest for a life of pleasure, moving on to a French nobleman and getting just as dissatisfied with him. The only way to succeed lies in the one man who sees her for what she is.
Undine Spragg may actually be one of the most despicable, selfish characters in all of classic literature -- she literally doesn't care about anyone but herself, or who she hurts. You'd think a book about someone like that would be dreary, but instead it's one long needle at the people like Undine, who care only for money, status and fun.
But it's also about the changing fortunes in late 19th-century America (and Europe). New money -- symbolized by Undine and her shrewd, megarich ex-hubby -- was squeezing out the old guard, who were never terribly rich to start with. Wharton's observations on their rise and decline have a sharp, biting edge. Although compared to the anti-heroine, the old traditions seem pretty innocent.
Lots of celebrity socialites could take a lesson from Undine's story: she's a snob of humble stock, thinks she's a great person, and utterly selfish -- if her husband shoots himself, that's great! She can marry again without the disgrace of a divorce! Yet in the end, you know that Undine will always be craving something more that she thinks will make her happy, but she will never find it.
The characters around Undine are usually nice, but blinded by her nymphlike beauty -- and even her parents, who know what she's like, are too beaten-down by her whining to resist. Only her ex-husband, Ralph Marvell, is really right for her -- not only is he obscenely rich and just as grasping as Undine, but he's smart enough to know what a monster she is.
"The Custom of the Country" is a wickedly barbed, brilliant piece of work, with one of the nastiest anti-heroines ever, and a great look at the rising tides of "new money." A must-read.
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Most Recent Customer Reviews
Not Wharton's Best
I was altogether disappointed by this novel about the unscrupulous ambitious social climber Undine Spragg and the man that she destroys. Read more
Published 5 months ago by Cara Bennett
A different sometimes funny direction for Wharton
The Custom of the Country was originally published in 1913 and tells the story of Undine Spragg, a girl who uses her beauty and ruthlessness to attempt to ascend New York's social... Read more
Published 6 months ago by J. Willis
strong portrait of a narcissist
Undine Spragg sees no reason why she should not have what she wants; and is able to create a world in which it does come to pass that she does have what she wants, often at... Read more
Published 6 months ago by William Jordan
Edith Wharton
My first Edith Wharton. As relevant to day as the day it was written. A brilliant read and just for 1p!Book arrived promptly from seller.
Published on 15 April 2010 by A. Wilson
Much ado about Undine Spragg
Undine Spragg is an interesting heroine. To get what she wants, she gets married, she divorces, she lies. She never feels bad about it. Read more
Published on 18 May 2001
Disappointing-not one of her best works.
Being an avid Edith Wharton reader, I was looking forward to yet another brilliant and engaging portrayal of the New York of the past. Read more
Published on 12 Oct 1998
An excellent read!
Edith Wharton takes the reader back in time as she eloquently depicts life at the turn of the century for New York's wealthy elite. Read more
Published on 11 Sep 1998
Simply brilliant
What an incredible book this is. I'm so glad the other reader-reviewers here also appreciate it for what it is: a haunting masterpiece by one of America's most gifted novelists. Read more
Published on 3 Sep 1998
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