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The Curse of the Mummy's Tomb [DVD] [2006]
 
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The Curse of the Mummy's Tomb [DVD] [2006]

John Paul , Dickie Owen , Michael Carreras    Suitable for 12 years and over   DVD
3.7 out of 5 stars  See all reviews (7 customer reviews)

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Product details

  • Actors: John Paul, Dickie Owen, Fred Clark, Terence Morgan, George Pastell
  • Directors: Michael Carreras
  • Producers: Michael Carreras
  • Format: Subtitled, PAL
  • Language English
  • Subtitles: Arabic, Bulgarian, Danish, English, Finnish, French, German, Hindi, Italian, Greek, Norwegian, Portuguese, Romanian, Spanish, Swedish, Turkish
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Aspect Ratio: 16:9 - 2.35:1
  • Number of discs: 1
  • Classification: 12
  • Studio: Sony Pictures Home Entertainment
  • DVD Release Date: 23 Oct 2006
  • Run Time: 77 minutes
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (7 customer reviews)
  • ASIN: B000HWXQHU
  • Amazon Bestsellers Rank: 50,892 in Film & TV (See Top 100 in Film & TV)

Reviews

Synopsis

Handsomely photographed and deliciously eerie, THE CURSE OF THE MUMMY'S TOMB follows an expedition in Egypt as they open a cursed crypt. The leader of the excavation crew decides to give the ruins to a museum, but a fast-talking American grabs the tomb for a sideshow attraction.


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Customer Reviews

Most Helpful Customer Reviews
19 of 20 people found the following review helpful
By Trevor Willsmer HALL OF FAME TOP 10 REVIEWER
Amazon Verified Purchase
Despite their success with Dracula and Dr Frankenstein, Hammer never had as much luck with the Mummy despite an enjoyable first outing. The second of their Mummy trilogy, 1964's The Curse of the Mummy's Tomb, is a lot better than 1967's visibly underfunded The Mummy's Shroud, but while enjoyable enough if your expectations are low, it's over-riding atmosphere is of cosiness, akin to a Sunday afternoon Sherlock Holmes adaptation. Scripted by Henry Younger (actually Michael Carreras in a pun on Hammer producer Anthony Hinds' nom de plume John Elder), it includes all the regulars - European archaeologists incurring a curse after opening a tomb, the Words of Life, a reanimated mummy on the rampage, the girl the mummy can't bring itself to kill - and the first two thirds is all exposition, but it throws in a neat spin with Ronald Lewis' motive for bringing the mummy back to life before ending in a memorable London sewer set.

The cast isn't exactly glittering even by Hammer standards: female lead Jeanne Roland is probably best remembered, if at all, as James Bond's Japanese masseuse in You Only Live Twice, former 50s TV Sherlock Holmes Ronald (son of Leslie) Howard is a veritable Mr Excitement as her dutifully dull fiancé, George Pastell the obligatory educated Egyptian voice of doom vainly warning the profaners against taking the treasures out of the country, with only Fred Clark giving it much energy as the Barnumesque showman determined to turn a fast quarter of a million bucks by exhibiting the contents of the tomb with hourly unveilings of the Mummy himself ("He's worth 10 cents of anybody's money!") while the lower orders are represented by nervy cockney workman Harold Goodwin (you know the face, you just don't know the name) and a terrible display of eye-rolling from Hammer regular Michael Ripper as a burping Arab workman called Achmed. Perhaps more for the Hammer completist than anyone else, there's a nice use of Scope to hide the low budget and make the picture look bigger than it is that comes over well on Sony's extras-free 2.35:1 Region 2 DVD.
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4 of 4 people found the following review helpful
Show Me The Mummy 15 May 2010
By Jeremy W. Newbould TOP 500 REVIEWER
In Egypt, at the beginning of the 20th Century, an archaeological expedition discovers the tomb of a Pharoah called Ra. The expedition's financier, an American called Alexander King, has plans to display the artefacts in a sort of travelling sideshow with the mummy as the star attraction. Unfortunately his plans hit a bit of a setback when the mummy comes back to life and starts killing people associated with the expedition....

This 1964 Hammer horror film seems to have been much-maligned over the years by some fans and critics but I don't know why because it is actually quite a good little film. Okay, so it's not as good as Hammer's 1959 film version of The Mummy and it does not have Peter Cushing or Christopher Lee in it or any other big-name actors but I still think that it is quite enjoyable and stylishly-done.

Fred Clark is great as the Barnum-type promoter, Alexander King. At one point when the police are questioning him about the strange goings on and they ask him if he has any enemies, he replies, "Of course I've got enemies, I'm in show business!" There's also an unusual twist when one of the main characters is not who he initially appears to be.

If you love Hammer films or 1960s British horror movies in general then "The Curse Of The Mummy's Tomb" is certainly worth a look.
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2 of 2 people found the following review helpful
By Spike Owen TOP 500 REVIEWER
The Curse of the Mummy's Tomb is out of Hammer Film Productions and written and directed by Michael Carreras. It stars Terence Morgan, Ronald Howard, Fred Clark & Jeanne Roland. Music is by Carlo Martelli and cinematography Otto Heller. It's shot in Technicolor using the Techniscope format. Plot sees three British Egyptologists discover the tomb of Prince Ra and under guidance from their showman benefactor bring their discovery back to London. Once in London the Mummified body of Ra starts killing people, it seems someone has the know-how to resurrect the creature for evil doings.

It doesn't actually feel like a Hammer Horror movie, except for Roland's cleavage that is. The cast are largely unfamiliar Hammer performers and you sense that the casting is a deliberate attempt to detract from a very salient point. As a story and how it's strung together, The Curse of the Mummy's Tomb is pretty much an uncredited remake of Hammer's own, excellent, first foray into Mummy world in 1959. Once mooted as that film's sequel, it has since been distanced as such because of the similarities. Which means to judge it as a standalone or a remake (which makes it a lazy cash in then) is the question. Fact is, tho, is that either way it's a distinctly average film from a narrative view point. The acting is fine enough, tho Roland really is only there for said cleavage, and the sets and vibrant colour make it very pleasing to the eye. But it takes an age to get going and the unoriginality of the script only hastens the feeling of, well, boredom setting in.

Wrapping up (bad pun I know), it's watchable and better looking than the other Mummy film's that Hammer released after it. But really it all feels lazy and pales in comparison to the first film in 1959. 5/10
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