Seamus Heaney's version of trials for the Greek archer entrusted with Hercules' infallible bow and arrows gives us affirmation and points of reflection. Heaney does not dash the ancient dialogue style on the rocky island; rather it is enriched for the modern reader. Honoring the timelessness of Sophocles, Heaney allows today's reader to make comparisons of private nature and choices with the public need and will. The hero, Achilles' son, Neoptolemus, finds that the strategy to take Troy for the Greeks runs counter to his nature of honesty and integrity. We wrestle with him over the choices. We tumble with him when he loses his grip. We crawl back to sure footing along side the hero. I found myself understanding the characters based on different experiences in my life. Philoctetes bemoans his ill-fated injury which leaves him abandoned and full of vengeance. Human empathy allows him to examine his tight grip on his woundedness without denying what he has endured. Odysseus, the pragmatic lieutenant of war, is shown for his utility and foibles. As in all Greek plays, the chorus calls the characters and the reader to reflection, "...For my part is the chorus, and the chorus is more or less a borderline between the you and the me and the it of it." Heaney got the "it of it" for us to take our own measure.