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Alvin Maker is the prime mover here, a man conflicted between his incredible abilities and the knowledge that regardless of how much he builds, however much good he can accomplish in the world, the Unmaker will be following right behind, tearing down all he can accomplish. Alvin's dream of a city built by Makers seems further and further off, as he becomes embroiled in actions to save many of the slaves and poor of the city of Nueva Barcelona (New Orleans) from both yellow fever (that he unwittingly helped to spread) and its other bigoted and superstitious citizens. Almost as a side plot, his brother Calvin becomes embroiled in a foray by Steve Austin and Jim Bowie to conquer the Mexica, with Calvin's typical disregard for the consequences or moral rightness of his actions.
The depiction of the historical characters that dot this novel, from Abe Lincoln to Bowie, is definitely problematic. All of them seem to have no depth, all are portrayed with only the sheen of their legendary characteristics, from Abe's honesty to Bowie's fighting drive, with no signs of other human foibles that would have made these stick-figures into something real. The plot itself is reasonable, a modern alternate version of Exodus with Alvin as Moses, and its final resolution points the way towards where this series may ultimately be headed. But I found as I was reading that I was looking for something more concrete to the action; too little description, not enough supporting details, an almost dreamlike feel to what could have been a very gritty slice of life under very unappetizing conditions.
While Card has a long list of those people who helped check this manuscript for continuity errors with earlier volumes, and obviously their efforts did help eliminate most of those kinds of problems, I did find it a little amusing that the maps on the end papers clearly show Alvin's Crystal City located on the wrong side of the Mississippi river.
Card does manage to make most of his moral points without clobbering you over the head with them, and some of the final section shows at least a willingness to concede that not all that is man-made is bad or that all that is nature-derived is good. But the fire that drove the earlier books, of their implied Great War between good and evil, is not here. Clearly, Card is planning at least one more book in this set, where perhaps the anticipated and long delayed war against slavery will combine with Alvin's dream of a better world to form a heart-wrenching finale. I do hope so.
--- Reviewed by Patrick Shepherd (hyperpat)
Orson Scott Card's Tales of Alvin Maker series is set in an alternative America where some people are born with knacks, a magical ability that is both a great gift and a deep burden. Alvin, the seventh son of a seventh son, is a "maker," who can make things and fix things, using his doodlebug to get a sense of what needs to be done. After the death of his newborn son, Alvin is persuaded by his wife, Peggy (a "torch," who can see the various paths into the future that a life might take), to go to Barcy (the New Orleans of this world), and so he travels down the Mizzizippy with young Arthur Stuart on a flatboat with Abe Lincoln and his friend Coz.
This matters because while Alvin Maker has his dream of the Crystal City, Peggy is concerned with preventing the great war that she sees coming over the issues of slavery. In this America the United States is put one of several "countries" competing for the North American continent. The south consists of Crown Colonies, Spain controls Florida and Nueva Barcelona (Louisiana), and the French still have Canada. Meanwhile, the descendants of the Aztecs are still performing human sacrifices in Mexica and Alvin's friend, Tenskwa-Tawa, the Red Prophet, controls the lands to the west of the Mizzippy. Beyond the Hio Territory where Alvin was born in Hatrack River, the Wobbish Territory where Vigor Church and Carthage City can be found, and even beyond the Noisy River Territory, Alvin needs to find a place for his Crystal City. Because when he saves a single life in Barcy, the act changes everything and forces a series of issues. The establishment of the Crystal City is obviously a major moment in the series, but clearly it is not the big payoff.
As always, it is interesting to see Uncle Orson's take on some of the figures of American's history. If he liked John Adams, he likes Abraham Lincoln any more. However, Stephen Austin and Jim Bowie do not fare well, and Alvin has to worry about the latter almost as much as he does about his younger brother Calvin. I know there are those who want to read these stories as a religious allegory, but I have enjoyed taking the narrative at face value and I remain ignorant enough of the major tenets of Mormon theology so that I do not see anything more here than the American ideal dressed up in alternative clothing. However, I find it hard to believe that there is only one volume left in the series, because there seem to be too many threads left to weave together.
Before embarking on _The Crystal City_ I went back and reread the entire series, as it had been five years or so since I was through them last and I wanted to be sure everything was fresh. I was, once more, delighted by the voice with its smooth use of early American colloquialism, impressed by the obvious knowledge of history and folklore that went into them, captivated by the engaging characters and astounded by the scope of the work. "Boy," I thought, "This is one Great Series!"
Then I came to the current volume. And I was really disappointed. It purely does not compare with its companions in any way. The story was frankly boring and the Biblical allegory--which was very suave and subtle in the earlier works-- was just ham-handed. I don't object to Alvin's spending the entire book leading a group of slaves to freedom, but it doesn't make for very interesting action and the subplots weren't developed enough to alleviate the tedium. The language was mundane, without any of the personality I had come to expect. The earlier books seemed to be told by a breathing human being; TCC resembled a recitation by a history prof counting the days until retirement. The characters were flat. The characters we had seen before were not developed any further and the new characters were not developed at all. In previous books even minor characters had personalities and stories, but only lip service was paid to that here: note the stunning difference between _Heartfire's_ Denmark and TCC's Old Bart. Historical characters were inserted to fill the formula, but not even Abe Lincoln really added anything. And as for Papa Moose and Mama Squirrel, well, I read the reason for them in the Acknowledgements, but I personally think using those names was a REALLY BAD CHOICE. Every reference to "moose and squirrel" catapaulted me into a realm that had nothing to do with Alvin Maker and Co. I'm sure you know the one I mean.
I don't mind that TCC started about five years after _Heartfire_ and that Alvin was in a really different place than one might have expected. I do mind that the story behind this wasn't really told. It's as if Tolkein had finished FOTR with leaving Lorien, skipped TTT altogether and started ROTK with "Well, now that Saruman's been vanquished..." There was just a huge chunk missing, and I think that chunk would have been a great deal more interesting than the story Card chose to tell. It almost seems to me that Card has written himself into a corner with this series; his characters can no longer grow and change and have real human experiences because that might tarnish them. Good and bad are established, but there are no longer any of the shades of grey that make people interesting.
Though TCC ends with some events that foreshadow a possible cotinuation of this series, it also sums up enough -- with "curtain call" appearances by most major characters fromt he series -- that Card could stop here without much harm done. Unless he makes some radical choices for this universe, I hope he does stop. I really wouldn't like to see this series devolve any further. The spark is gone and laying this series to rest before it decays would be a mercy.
Good, but not great, continuation of the Alvin Maker series. As you can tell by the title, Alvin finally begins his Crystal City (and not surprisingly, since much in this series parallels Latter Day Saints beliefs, it seems to be on the site of Nauvoo, Illinois.)
While we meet Abraham Lincoln in this series (an Abe who apparently did not buy a barrel of law books at a cheap price to enable him to study law on his own), Lincoln's explanation as to why he doesn't have a last name reflecting his profession is weak. Most of the people who don't have such last names are historical characters in our world (William Henry Harrison, for example). It's not a new complaint, but--Card should have thought this through. He's inventive enough.
With Alvin seeming to parallel Joseph Smith, and with his people defying the U.S. to some extent, the groundwork seems to be laid for this universe's equivalent of the U.S. attack on Nauvoo and death of Joseph Smith, which eventually led to Brigham Young and his people's trek to Utah. How this will play out in Card's works should be interesting.
Finally, Card really, really, should update his political maps to show the developments he has mentioned through the series--the new states, the closing-off of the Trans-Mizzippi, etc. The maps are the same as at the start of the series, though this book's version does show Springfield and Crystal City--the latter on the WEST bank of the Mizzippi. It's more an annoyance than anything else.
Recommended, if you've read the previous five.
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