(from "The San Antonio Express-News," Feb '99) Writer sui generis Dan Simmons refuses to be pigeon-holed. His first novel ("Song of Kali," a psychological thriller) garnered a World Fantasy Award. Horror novels like "Carrion Comfort" and "Summer of Night" earned awards and admiration from peers like Stephen King and Dean Koontz. And his critically acclaimed, award winning quartet of SF ("Hyperion, "The Fall of Hyperion," "Endymion" and "The Rise of Endymion") are perennial bestsellers that have cemented his reputation in that genre. Not one to rest on his laurels, Simmons new novel, "The Crook Factory," explores an entirely different genre: literary espionage. Like those before it, this book is filled with crackerjack writing, a page-turning plot, and characters which will haunt the reader long after the book is finished. Joe Lucas, an amoral special agent in the FBI, finds himself assigned to a case that seems designed as punishment. FBI Director J. Edgar Hoover has tasked him with keeping tabs on an amateur spy network in Cuba. The network has been coined "The Crook Factory" by it's ringleader - none other than Ernest Hemingway. Completely unaware of Hemingway's stature and celebrity as a writer (he doesn't read "make believe" books), Lucas' perspective and growing awareness of Hemingway is offered through fresh, unspoiled eyes. Upon reaching Cuba, Lucas is thoroughly unprepared for what he finds. In Hemingway, he discovers a braggart who embellishes upon every life story, and a writer who, despite an awareness of his own talent, constantly questions his own worth. And after joining up with Hemingway's eight-man spy network, Lucas discovers a spiderweb of machiavlleian schemes involving the intelligence agencies from three different countries that could affect the outcome of World War II. Worse, Lucas learns that Hemingway's "crook factory" has uncovered a vital piece of intelligence which puts all of them in mortal danger, and calls into question the loyalty of operatives in his own agency. Unsure of his sources (or who might be behind the American side of the conspiracy), Lucas partners with Hemingway in a perilous venture to get to the bottom of the mystery. Gary Cooper, Marlene Dietrich, and a host of others make appearances in this story. What's more, as Simmons testifies in an afterword, ninety-five percent of the events are true. But in the end, what resonates deepest are the characters: Joe Lucas, who goes through a moral and emotional transformation; and, most especially, Ernest Hemingway. Capturing an historical persona within in the confines of a novel is no easy task. But Simmons does an incredible job. Readers will come away from this book feeling as if they actually lived alongside the great writer. Part spy novel, part history lesson, and part thriller, "The Crook Factory" is ample proof that the talents of Dan Simmons can't be constrained by any genre. (from "The San Antonio Express-News," Feb. 1999)
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