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The Creek Drank The Cradle [Import]

Part of our Two CDs for £9 offer*

Iron & Wine Audio CD
4.4 out of 5 stars  See all reviews (9 customer reviews)
Price: £7.10
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
In stock.
Dispatched from and sold by zoreno-uk.
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*Buy this CD with another eligible title and pay no more than £9 for both (terms and conditions apply). Just look for any album with this message, put it in your basket with a second eligible title and the discount will be applied at checkout. Offer ends June 30, 2013.

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Music

Image of album by Iron & Wine

Photos

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Biography

Over the course of his ten-year career, Iron and Wine's Sam Beam has become one of today's greatest story tellers, crafting meticulous tales full of forlorn love, religious imagery and wistful dreams. Many fell in love with Iron and Wine Beam's tender and spare rendering of The Postal Service's "Such Great Heights" was featured on the Garden State soundtrack in 2002. ... Read more in Amazon's Iron & Wine Store

Visit Amazon's Iron & Wine Store
for 16 albums, 8 photos, discussions, and more.

Frequently Bought Together

The Creek Drank The Cradle + Our Endless Numbered Days + Around The Well
Price For All Three: £24.29

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Product details

  • Audio CD (31 Aug 2009)
  • Number of Discs: 1
  • Format: Import
  • Label: Sub Pop Records
  • ASIN: B00006J402
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Bestsellers Rank: 19,546 in Music (See Top 100 in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
Listen  1. Lion's Mane 2:49£0.79  Buy MP3 
Listen  2. Bird Stealing Bread 4:21£0.79  Buy MP3 
Listen  3. Faded From The Winter 3:17£0.79  Buy MP3 
Listen  4. Promising Light 2:49£0.79  Buy MP3 
Listen  5. The Rooster Moans 3:24£0.79  Buy MP3 
Listen  6. Upward Over The Mountain 5:56£0.79  Buy MP3 
Listen  7. Southern Anthem 3:54£0.79  Buy MP3 
Listen  8. An Angry Blade 3:48£0.79  Buy MP3 
Listen  9. Weary Memory 4:01£0.79  Buy MP3 
Listen10. Promise What You Will 2:24£0.79  Buy MP3 
Listen11. Muddy Hymnal 2:43£0.79  Buy MP3 


Product Description

Amazon.co.uk

Iron & Wine is Sam Beam, a back-porch Florida singer-songwriter whose sad little songs pack a helluva wallop. Recorded in his living room on a vintage four-track, The Creek Drank the Cradle co-stars cassette hiss, ambient room sound and Beam himself. Beam's immediately likable tunes paint such clear pictures that songs like "Southern Anthem" and "Muddy Hymnal" are more akin to short stories by Raymond Carver and Flannery O'Connor than to your average pop ditty. A stripped-down one-man band, Beam contributes delicious Delta-flavoured slide guitar, passable banjo and deliriously beautiful harmonising. Beam isn't just a songwriter the equal of Will Oldham and Leonard Cohen (really--and it'll be a surprise if people don't immediately start covering him): the boy can sing. His melt-in-your-head-but-not-in-your-ears voice is instantly recognisable and will certainly please fans of Nick Drake, Lou Barlow and Elliott Smith. --Mike McGonigal

Product Description

CD

Customer Reviews

4.4 out of 5 stars
4.4 out of 5 stars
Most Helpful Customer Reviews
13 of 13 people found the following review helpful
5.0 out of 5 stars A Pearl of a Debut! 11 April 2004
Format:Audio CD
What a beautiful, beautiful album! It has been quite a while, with the exception of Damien Rice's and Teitur's debuts, than a first CD offered such creative consistency. Sam Beam, the man behind Iron and Wine, has achieved a work of such unassuming depth that is impossible not to grow impatient for a second recording. Song after song, he manages to convey moods that are at once tender and full of existential pain, without ever indulging on the way too common tendency in young songwriters to put music to their private diaries, nor indulging on the kind of over-instrumentation that not-so-young performers indulge in to make up for the lack of richness in their work. I don't think there's a single weak tune here, actually some of his lesser tunes could be the jewels in CDs by most of his contemporaries. To some he might remind you of Will Oldham, a likely mentor, yet his work has already a feel of its own. This Americana stripped from clichés, bringing together longing, sweetness and the lingering sense of someone reflecting on life without a 'an ax to grind' (this is the difference between poetry and a personal journal). I was tempted to name the great songs but after typing the name of the first four, and realizing that the fifth song will be next, I deleted them. Every song is worthwhile, and adds to the hue of emotions he's so able to articulate. In some ways, it is my opinion, he may remind you of Nick Drake, in his capacity to write of sadness so beautifully that it can almost embrace you, like joy.
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13 of 13 people found the following review helpful
5.0 out of 5 stars Stripped-down, introspective magic 10 Feb 2003
By Mr. M. J. Hulme VINE™ VOICE
Format:Audio CD
Interestingly, Sub Pop seem to be reinventing themselves from label of all things grunge-rock to a new, mellow, "two guitars on the front porch " affair. But then, Sub Pop were always one step head of the game. This collection of songs by Sam Beam consists of stripped down, acoustic guitar affairs, with slide guitar and banjo making an appearance to add extra layers of mystery. It's a million miles away from the noisy excesses of grunge, and very special.

Beam sings laconically, as though he's half asleep, in a voice reminiscent of the more fragile moments from Mark Linkous of Sparklehorse. In fact, these songs would have slotted seamlessly onto the more lo-fi moments of 'Vivadixiesubmarinetransmissionplot,' Sparklehorse's excellent first album. No drums, just guitar and hushed vocals. Some strange magic is at work here - this is excellent, intimate stuff, transporting you to a mythical part of America in the same way as Gillian Welch's 'Time (The Revelator)' - timeless, haunting, and magical. Beam crafts songs that dig at the twisted heart of middle America; disturbing, but wonderfully well-drawn portraits of small-town life. This will be up there in the "2003 album of the year" stakes for sure.

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11 of 12 people found the following review helpful
4.0 out of 5 stars Not So Muddy Hymnals 17 Feb 2003
By degrant TOP 1000 REVIEWER
Format:Audio CD
Hot on the heels of Bonnie Prince Billy's "Master and Everyone" comes an album with titles like "the Rooster Moans" and "Muddy Hymnal", lovingly packaged with intimate etchings and lyrics such as "We found your name across the chapel door/carved in cursive with a table fork". Fans might be forgiven for thinking that, only seven weeks into the year, "The Creek and the Cradle" is the best Will Oldham tribute album of 2003.

Those fans would be wrong. One man band Sam Beam sings in a much more British manner and a number of the songs call to mind Belle and Sebastian rather than any of the current crop of alt country troubadours. While Beam's voice is as engaging as Stuart Murdoch's the sometimes fey delivery undermines the biblical imagery of "Just like the way that you ran to wine/when they made the new milk turn/Jesus, a friend in the better times" and makes "Southern Anthem" anything but anthemic.

However, several songs, embellished with banjo and what sounds on occasions like pedal steel guitar, are more American and, to my ears at least, all the stronger for it. Elsewhere the plucking guitar sound of "Faded from the Winter" is reminscent of "5 Leaves Left" era Nick Drake, topped off with gorgeous vocals.

While the album is much more instantaneous than the writing of Mark Linus, Will Odham, Kurt Wagner et al, the downside is that Beam has created a less individual and strong sound. That said, the overall strength of the set dispels any questions as to the viability of acoustic guitar music in 2003 and the album's immediacy might well lead Iron & Wine to greater commercial success than any of the other artists to whom they have been compared. All in all a delightful discovery.

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