It is rare to find a book that discusses the artistic process and the creative act as it is experienced and felt by an actual artist, as opposed to creativity in the corporate workplace, particularly in such a personal and straight talking account. With this perspective, the book offers practical, effective user-friendly exercises and advice on how to prepare, begin, sustain and complete an artistic project.
There may not be any stunning new insights here, but no matter - the author has an unique viewpoint and ability to cast new light and original metaphors onto the usual concepts (example; an artist needs to be aware of and true to their "creative dna") And, in a way that's the strength and the point of the book - like it or not, creativity comes with hard graft and habit. Doesn't sound romantic, but it is strangely comforting - after reading you are left with a sense that you knew all this anyway - you just aren't applying yourself with enough commitment and discipline! This in itself makes the enormity of the task ahead somewhat more acheivable, and within your grasp.
As an ex-dancer, the language used resonates well with me (walking into an empty white room), and its great to see an emphasis on the importance of physical intelligence, but the author draws on such a fascinating and wide range of examples from other media, it is appropriate for all artists.
Twyla has a refreshingly direct conversational style which, though not for everyone (the colloquialisms annoy my husband) cuts through any attempts of artistic ego and pretentions (example - "Someone has done it before? Honey, it's all been done before....Get over yourself" but it is nevertheless thoroughly detailed (memory and skill being two things that are given multiple categories).
A good, illuminating book.