The Crafty Art of Playmaking [Paperback]

'What he has given to theatre is immeasurable. I take my hat off to him.' Harold Pinter. --This text refers to an out of print or unavailable edition of this title.

With over sixty plays written and premièred at the Stephen Joseph Theatre in Scarborough before going on to play in the West End or the Royal National Theatre, London, or Broadway, Alan Ayckbourn's expertise in writing and directing plays is unsurpassed.

For the first time, here in The Crafty Art of Playmaking, he shares all his tricks of the trade. From helpful hints on writing (Where do you start? How do you continue? What is comedy and how do you write it? What is tragedy and how does it work?), to tips on directing (working with actors and technicians, when to listen to the other experts, how to cope with rehearsals), the book provides a complete primer for the tyro and a refresher for the more experienced. Written in an accessible and highly entertaining style, with anecdotes galore to illustrate the how, when, where and why, it's worth the cover price for the jokes alone.

'A marvellously useful and enjoyably good-humoured book' Daily Telegraph

Alan Ayckbourn was born in London in 1939 to a violinist father and a mother who was a writer. He left school at seventeen with two 'A' levels and went straight into the theatre. Two years in regional theatre as an actor and stage manager led in 1959 to the writing of his first play, The Square Cat, for Scarborough's Theatre in the Round at the instigation of his then employer and subsequent mentor, Stephen Joseph. Some 75 plays later, his work has been translated into over 35 languages, is performed on stage and television throughout the world and has won countless awards. There have been English and French screen adaptations, the most notable being Alain Resnais' fine film of Private Fears in Public Places. Major successes include Relatively Speaking, How the Other Half Loves, Absurd Person Singular, Bedroom Farce, A Chorus of Disapproval, The Norman Conquests, A Small Family Business, Henceforward . . ., Comic Potential, Things We Do For Love, and, most recently, Life of Riley. In 2009, he retired as Artistic Director of the Stephen Joseph Theatre, where almost all his plays have been and continue to be first staged, after 37 years in the post. He received the 2010 Critics' Circle Award for Services to the Arts and became the first British play wright to receive both Olivier and Tony Special Lifetime Achievement Awards. He was knighted in 1997 for services to the theatre.