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‘He plots a mystery as well as any writer alive’
Time Magazine
‘Barnard never disappoints. The psychological suspense is chilling’
The Times
‘Barnard’s graceful prose and keen wit add greatly to the joy to be had from the book, and, as always, he manages to pull off at least one shocker’
Sunday Times
‘Robert Barnard has the habit of delighting his readers’ Donna Leon, Sunday Times
The body of a young man, almost naked, found in the car park behind a Haworth restaurant marks the beginning of the case, and it is his identity that is the first puzzle for DC Charlie Peace and his superior, Detective Superintendent Oddie.
But before long the puzzle that most concerns them is the nature of the close-knit artistic community where Declan O’Hearn had acted as odd-job boy. The little knot of people seem united less by their ability as painters than by a common worship of the distinguished artist Ranulph Byatt, who seems to prefer the adulation of his inferiors to the judgement of his equals. Peace soon starts to wonder if there isn’t a sinister reason for this. And as the search for the killer gathers pace, Peace and Oddie uncover a series of dark secrets in the harsh Haworth landscape.
Atmospheric, witty and perceptive, The Corpse at the Haworth Tandoori is vintage Robert Barnard.
--This text refers to an out of print or unavailable edition of this title.
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For example, "The Corpse at the Haworth Tandoori" is a worthwhile excursion into Barnard territory. This time it's to Bronte country in Yorkshire (one of his favorites), more specifically to Haworth and its nearby village of Ashworth. A corpse is discovered in the boot of a car parked at the Haworth Tandoori restaurant. The body is clad only in underwear, there's no identification, and shows signs of grim mutilation. And its in the jurisdiction of Detective Constable Charlie Peace and Detective Superintendent Mike Oddie, two policemen extraordinaire we've met in previous Barnard works.
The duo finds the body eventually leads them to Ashworth, a collection of artists, wannabes, and hangers-on where a young Irishman Declan O'Hearn had come to seek employment and has now disappeared. The body is identified as his.
Barnard is known for his stylish twists, his clever plot designs, certainly his way with words. His prose is generally salted with plenty of creative expressions and humor--in short, never a dull minute--yet at the same time, he is able to sustain a gripping suspense that makes it difficult to put the book down. Don't be surprised at the surprises, and Barnard knows how to deal them out and not put off the reader. He is a master at characterization and young Declan is well drawn, as, indeed, are his other characters.
Peace and Oddie are able to unravel this puzzle, mainly with good police work and with some luck, too. Along the way, we meet members of the Ashworth community who are clearly not who--or what--they seem, and the revelations of this mystery unfold, logically, plausibly, and with much certainty. In police procedurals, perhaps there is nothing new under the sun, but in this one, Barnard takes his plot designs and strong characterization and presents a novel well-worth one's time. Barnard's a good writer and in the course of his some 30 novels gives us a smart taste of Yorkshire and the Bronte moors. "The Corpse at the Haworth Tandoori" is a delectable buffet!
In the British town of Haworth lies Ashford Farm which has many cottages located on the property. The residents of the farm have little to do with the townsfolk and viceversa. The only commonly known fact about the farm community is that everyone seems to have a cult-like worship of the owner, renowned painter Ranulf Byatt, an egomaniac.
A waiter going off shift from his job at the Haworth Tandoori finds a body in the back of his car. Officer Charlie Peace and his superior Detective Superintendent Mike Odie investigate and soon trace the corpse back to Declan O'Hearn, a former assistant to Ranulf. Through flashbacks, the audience learns about Declan's arrival at the farm and his growing dissatisfaction with the blind worship that elevated Ranulf to a God-like figure. As the investigators continue their digging, they find depravity that shocks even long time police officials like Mike and Charlie.
The mantle place in Robert Barnard's home looks like a who's who of mystery awards. His latest work, THE CORPSE AT THE HAWORTH TANDOORI, substantiates that he deserves his Nero Wolf, Anthony, Agatha, and MacCavity awards. No one will guess the ending or the revelations that keep the audience constantly in shock wondering what will happen next. The superb plot is brilliantly executed, especially since he leaves everyone sans the police officers as prime suspects. The audience will reread this novel on numerous ocassions to savor the special Brnard touch.
Harriet Klausner
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