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The Cool One CD


Price: £21.63 & FREE Delivery in the UK. Details
Includes FREE MP3 version of this album.
Does not apply to gift orders. See Terms and Conditions for important information about costs that may apply for the MP3 version in case of returns and cancellations.
Only 3 left in stock (more on the way).
Dispatched from and sold by Amazon. Gift-wrap available.
Complete your purchase to add the MP3 version to your Amazon music library. Provided by Amazon EU S.à r.l.
12 new from £3.55 1 used from £3.90
£21.63 & FREE Delivery in the UK. Details Only 3 left in stock (more on the way). Dispatched from and sold by Amazon. Gift-wrap available.

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Product details


Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
  1. Do It! 3:17£0.99  Buy MP3 
  2. All For You 2:47£0.99  Buy MP3 
  3. I Only Have Eyes For You 6:14£0.99  Buy MP3 
  4. Four Brothers 3:15£0.99  Buy MP3 
  5. Sultana 2:52£0.99  Buy MP3 
  6. Nutty Pine 3:12£0.99  Buy MP3 
  7. Wrought Of Iron 2:49£0.99  Buy MP3 
  8. Iranic 4:49£0.99  Buy MP3 
  9. Someone To Watch Over Me 3:09£0.99  Buy MP3 
10. A Ring-Tail Monkey 2:35£0.99  Buy MP3 
11. Chirpin' Time0:56£0.99  Buy MP3 
12. Scintilla 2 2:36£0.99  Buy MP3 
13. This Is My Beloved 4:12£0.99  Buy MP3 
14. Finger Snapper 2:29£0.99  Buy MP3 
15. Scintilla 1 5:50£0.99  Buy MP3 
16. Rhetoric 3:30£0.99  Buy MP3 
17. Lazy Tones 6:38£0.99  Buy MP3 
18. Scintilla 3 1:39£0.99  Buy MP3 
19. The Leprechaun 3:24£0.99  Buy MP3 
20. Scintilla 4 2:55£0.99  Buy MP3 

Product Description

Fifty years on from these historic recordings, multi-saxist Jimmy Giuffre remains a most potent force in contemporary jazz. For the first half of the 1950s, Giuffre, in cahoots with Shorty Rogers and Shelly Manne, could be viewed as L.A.'s jazz equivalent of The Three Musketeers. Be it as members of the orchestras of Woody Herman and Stan Kenton or The Lighthouse All-Stars and Shorty's own Giants they were close to inseparable.

It was during his tenure with The Giants that Texas-born Jimmy Giuffre successfully launched his own solo recording career. The 'Tangent In Jazz' sessions that comprise the second half of this release, defines that all-important juncture where Giuffre marked out his future directions: creating jazz music with what he contentiously termed "a non-pulsating beat." Said Giuffre, "I've come to feel increasingly frustrated by the insistent pounding of the rhythm section. It's become impossible for the listener or the soloist to hear the horn's true sound or fully concentrate on the solo line. An imbalance of advances has moved the rhythm section from a supporting role to a competitive role."

At Giuffre's behest, the role of bass and drums were drastically redefined - supplying varied textures and effects rather than a familiar steady jazz pulse. Just as unique was the deep and intimate "woody" sounding timbre Giuffre produced from his clarinet by virtue of exploring the darker "chalumeau" register of the A-natural model as opposed to the widely used B-flat instrument. In doing so, Giuffre anticipated the future approaches of the quartets of fellow Texan Ornette Coleman, post-Miles John Coltrane, Dolphy-era Mingus and, ultimately, various aspects of the ECM label's house policy in breaking free of mainstream and standardized musical structures.

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Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: 1 review
2 of 2 people found the following review helpful
Witness Giuffre in the act of ditching the drum set! 7 Jan. 2012
By coverto - Published on Amazon.com
Format: Audio CD Verified Purchase
This CD contains what is arguably the last album of his early period, and the first of his distinctive middle period, in which he ditched the drums in his arrangements in search of that more intimate, delicate, subtle and expressive sound that makes him such a genius and such a treasure. Both albums are great, enjoyable and accessible, drums or no drums. Definite thumbs up.
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