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Amazon.co.uk Review
This simple plot description doesn't capture the rich texture and slippery, sinuous movement of The Constant Gardener, superbly directed by Fernando Meirelles (Oscar-nominated for his first film, City of God). Shifting back and forth in time, the movie skillfully captures the engaging romance between Justin and Tessa (Fiennes shows considerably more chemistry with Weisz than he had with Jennifer Lopez in Maid in Manhattan) and builds a vivid, gripping, and all-too-justified paranoia. And on top of it all, the movie is beautiful, due to both its incredible shots of the African landscape (which at times is haunting and unearthly) and the gorgeous cinematography. Featuring an all-around excellent cast, including Bill Nighy (Love Actually), Pete Postlethwaite (In the Name of the Father), and Danny Huston (Silver City).--Bret Fetzer
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This film is remarkable in several ways, not the least because of the cinematography. More than half the film is set in Africa, both Kenya and the Sudan. Here is life in all its contradictions - abject poverty and stunning beauty, illness and disease amidst the overpopulation; life among the dying, and death among the living. One thing the viewer will notice is that all of the scenes in Africa are shown in vivid, powerful colours. The scenes in London and on the European continent are faded and gray; despite the fact that the European scenes are invariably set in wealthy settings (private clubs, opulent halls, expensive buildings, etc.), they lack the colour and life of the African scenes - even the Kenyan shanty town and the Sudanese refugee camp seem to contain more life than the major cities of the Western world. This is surely no accident, but rather a device the director used to intensify the contradictions.
There are several plots that lead into one another - what was Tessa really up to? Who was involved, and to what degree? There are a few subplots that fall short, but on the whole, the film hangs together well in a narrative sense. Tessa's murder is an early event, and much of the film is done in flash-back or memory sequences, until the two come together in time frame and the mystery begins to reach some clarity.
This film is directed by Fernando Meirelles, who was nominated for an Oscar for his first film, the Brazilian 'City of God'. His is certainly a name to watch. In this film he directs
Ralph Fiennes ('The English Patient', a film that bears many similarities here) and Rachel Weisz ('The Mummy'), together with a good collection of British and African actors. The extras casting for Africa was extremely well done, and the nice touches such as the AIDS street-theatre performance in the Kenyan slum were inspired.
The film has a majestic, broad and sweeping feel to it. One is treated to a visual banquet of images, colourful deserts and lakes, wildlife and plant life, and the people of the lands of Africa, all truly remarkable. The music is sometimes subtle and sometimes dramatic - much is inspired by native sounds of Africa.
The film is engrossing and interesting, causing many feelings to grow in the garden of viewing.
It is a slow paced, thoughtful movie. Set in Africa, amid a storyline of big businees and corruption it has some uncomfortable moments - particularly when mounted bandits sweep down on an unprotected village - strains of Darfur and the genocide occuring there.
Ralph Fiennes and Rachel Weisz are excellent in the lead roles. Particulary Ms. Weisz, having only seen her in the Mummy movies, her acting skills are a revelation.
The film is based on a novel by John Le Carre. Could it happen?
Watch the extra features and make up your mind.
Highly recommended.
Its the type of film which is fiction based on truths around a certain type of industry
Lads, be warned you may need a box of kleenex!
That's not menat to be. Read more
Whatever is good for the 'powers that be' is what will happen. Read more
The main problems with this film were based around the plot and the... Read more
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