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"Few people have penetrated the heartland of contemporary cultural theory and critique as explosively or insightfully as David Harvey." Edward Soja
"David Harvey′s book is probably the best yet written on the link between ... economic and cultural transformations." Financial Times
"David Harvey′s engrossing book is probably the most readable, ambitious, and intelligent work on postmodernism yet published." Voice Literary Supplement
"In Harvey′s skilful hands various strands of contemporary life, normally held far apart by specialized scholarly interests, come together again and are shown to fit with each other ... a marvellous, enjoyable and mind–opening book." Times Literary Supplement
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I had always suspected that Marxian analysis still retained more strength than the collapse of Soviet Communism suggested and now I am sure of it. The deliberate employment of a meta-narrative to investigate a movement so opposed to such formations is instructive and Harvey demonstrates how often postmodernists have to fall back on universals in the end. Harvey's main strength is in detailing how the change in the economic practice of capitalism has changed since 1973 and how that has affected social and in turn cultural currents.
While Professor Harvey runs the full gamut of cultural experiences here; art, philosophy, cinema etc he pays especial attention to architecture. He also pays especial attention to the investigation of the experiences of space and time and how these are affected by economics and how they shape cultural feeling. The latter half of this book is in many ways the most difficult as his models operate in a fairly high level of abstraction. However after the initial difficulties of thinking in these terms are overcome this proves to be a very rewarding approach to the issue. I'm not going to pretend that I understood everything here but I understood enough.
This is a book that provides the essential analytic tools and models for operating in a postmodern world even to those for whom the works of Derrida and Foucault hold no appeal at all. Harvey's concerns about the new aesthetic in public life, the dangers of charismatic politics and the resurgence of a narrow geopolitical outlook are equally as pressing now as they were in 1990. In order to see beyond the incestuous breeding of imagery to the realities beyond, increased inequality and big power chauvinism, this is precisely the sort of thing that you need to read. And now I'm off to read Das Kapital.
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