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The Condition [Paperback]

Jennifer Haigh
4.2 out of 5 stars  See all reviews (4 customer reviews)
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Product details

  • Paperback: 400 pages
  • Publisher: Harper (1 Oct 2008)
  • Language English
  • ISBN-10: 0007225075
  • ISBN-13: 978-0007225071
  • Product Dimensions: 19.6 x 12.8 x 2.6 cm
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Bestsellers Rank: 68,095 in Books (See Top 100 in Books)

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Jennifer Haigh
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Product Description

Review

Praise for The Condition

‘With humour, grace and an abiding compassion that is becoming her signature, Jennifer Haigh illuminates the dark tangle of desire and deed that is the family, that crucible we so often yearn to flee yet keep coming back to again and again. The Condition is unsentimental, compelling and moving, and I urge you to read it!’
Andre Dubus III
NYT bestselling author of House of Sand and Fog

‘The ailment at the centre of this remarkable novel is the human condition itself. Jennifer Haigh has written a sprawling, emotionally gripping account of one family’s troubled history, enlivened by her formidable intelligence and deep insight into her character’s hearts and minds.’
Tom Perrotta, bestselling author of Little Children

‘Haigh creates a realistic family dynamic from richly drawn characters, capturing the family members’ various expectations of assumptions about one another. Compelling; highly recommended for all fiction collections.’
Library Journal

Praise for Baker Towers

‘The living, breathing organism that is Ms. Haigh's captivating book…[is an] effortlessly haunting story…with satisfyingly real and vivid individuals…beyond being an expert natural storyteller with an acute sense of her characters' humanity,[she] sustains a clear sense of Bakerton's vitality, or lack thereof …this book has the heart to end, credibly and unsentimentally, on a note of rebirth. And Bakerton is utterly, entrancingly alive on the page even as it is supposed to be fading away.’
Janet Maslin,New York Times

A lovingly told, detailed novel of postwar America…compassionate and powerful…it is through the accretion of tiny, telling details, of finely observed moments, that a universe is created and a spell cast…This is a book of great heart, a song of praise for a too-little-praised part of America-for the working families whose toils and constancy have done so much to make the country great.’
Chicago Tribune

‘Haigh's got a keen way of getting inside the hopes and discomforts of her characters. She moves lightly between snippets of anecdote and insight, creating her world sparingly, convincingly, matter-of-factly.’
San Francisco Chronicle

Haigh has constructed a hypnotic portrait of a coal-country mining town that spans a quarter century and captures wistfully the demise of the culture…[Haigh] is capable of creating flesh and blood characters are authentic and idiosyncratic…The novel is constructed around consciously small moments of ordinary domesticity…In page after page Haigh demonstrates her profound ability to illuminate the personal encounters and minor revelations that make up a life, while offering a crisp, insightful snapshot of a particular place and time."
Boston Globe

‘Jennifer Haigh gets a memorable grip on family and locale in her vivid novel Baker Towers…It's hard to escape…the characterizations and the texture Haigh conjures so effectively carry this largely superb novel. Haigh's tone is pitch-perfect, her grasp of psychology, masterly. The way Joyce Novak develops, overcoming the chill in her loins to connect with the warmth of her heart, is but one example of a command equal to those of Richard Russo and Anne Tyler, novelists who also examine the large issues that roil small towns. Baker Towers isn't perfect, but it sure is close.’
Denver Post

Praise for Mrs Kimble

‘At turns beautiful, devastating and complex, Mrs. Kimble explores the interplay between deception and vulnerability, betraying Haigh's ambitious talent in the process."
Chicago Tribune

‘The talent evident in this novel is stunning. The question is not whether Haigh might turn out to be a good writer. Rather, we have the intriguing possibility that the next great American author is already in print.’
Fort Worth Star-Telegram

‘The measured prose and care for detail show a promising talent’
Kirkus Reviews

‘Like The Hours…Mrs Kimble tells the interlocking stories of three very different women…a clever premise, backed up by three remarkably well limned Mrs. Kimbles."
Washington Post Book World

Praise for Jennifer Haigh

“Her talent is stunning…The question is not whether Jennifer Haigh might turn out to be a good writer. Rather, we have the intriguing possibility that the great American author is already in print.”
Fort Worth Star-Telegram

“A novelist who can really tell a story…we’re in the hands of a master, one who fully subscribes to what author Alice Mattison describes as the opportunity to give fiction a chance to mean something. Haigh writes from her soul.”
Milwaukee Journal Sentinal

“Haigh’s writing is rich and mellifluous.” The Times

Product Description

A year in the life of the members of the divided McKotch family, revealing their secrets and their conflicts

The house by the sea held sepia-tinted family memories tight within its walls. Once a year it was dusted down, its windows flung open, the sound of laughter echoed throughout its rooms; this was the rhythm of family life. All that is about to change.

When Gwen, the youngest child, is diagnosed with Turner's Syndrome, the family knows that her body will never grow to adulthood. Frank, her scientist father, is fascinated by the disease, while Paulette her mother is horrified. As they struggle to cope with the ramifications of Gwen's illness, her parents see the cracks within their marriage widen irreparably.

Equally affected are their sons; one a successful lawyer in denial about who he is, the other whose search for himself and his need for his parents’ approval has only resulted in a series of dead ends.

Jennifer Haigh paints a brilliant portrait of a family idyll and its seemingly inevitable and painful disintegration in this stunning and thought-provoking novel.


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Customer Reviews

Most Helpful Customer Reviews
4 of 4 people found the following review helpful
Format:Hardcover
In this piquant mix of interlocking worlds, Haigh presents her inter-generational story with considerable panache and much psychological insight. The novel operates on many levels, but most effective is how the author surgically dissects the private inner lives of each member of McKotch family as they try to maneuver around their petty insecurities, their selfish mistakes and the assumptions they've made about each other over the years.

The novel begins in 1976 as the seeds of distrust are sown in Frank and Paulette's marriage, with Frank's career as a scientist taking precedence over Paulette's emotional needs and the needs of their three children, Billy, Gwen and Scotty. Indeed, this family seem to be beset by the greatest obstacle of all, that of dealing with Gwen's "condition," and her ultimate diagnosis of Turner's syndrome, a chromosomal irregularity that gives her the powerful build of an Olympic child gymnast but also prevents her from maturing into a fully-fledged woman.

While Frank is of the opinion that Gwen's condition is something that should be objectively and scientifically analyzed, maybe even cured with drugs and hormone treatments just like one of his lab experiments, Paulette holds fast to a type of willing self denial, refusing to hear the news and unwilling to alter the delicate structure of her current life with its summer rituals and illusions of permanence. It is clear however that the issue of Gwyn is complicated at best, her condition only adding tension to the other issues at hand. Gwen seems to take the news of her abnormality in her stride, creating a free and independent life for herself, free from her mother's obsessive and compulsive meddling.

When the story races forwards to 1997, we discover that Frank and Paulette have divorced and all that three children have gone their separate ways, Billy to New York and a life as a successful businessman, Scott into a mediocre career in teaching, while marrying hastily and disastrously to Penny a free spirited dope smoker, and Gwyn to a shy and diffident life working in the anthropology department at a Museum in Pittsburg.

The family makes attempts to keep in touch, but since the divorce they haven't been together for a while and in spite of their considerable reservations, the children have to managed to attend the occasional Christmas and New Year with Paulette. It is at one of these gatherings that much to everyone's surprise, Gwen announces that she will be going on a diving holiday in Saint Raphael. This revelation is not in itself not shocking, but when Gwen has an affair with Rico, a handsome dive instructor, various dramas ensue, especially regarding Paulette's over-reaction to her delicate and diffident daughter's compulsive life change. Overprotective to the point of being deceitful, Gwen's incipient independence far from the bonds of family is almost too much for her poor mother to bear.

In the midst of all of this, Haigh delves deep into the heart and minds of her characters, exploring the elemental, but also sometimes fleeting connections of blood and marriage where time becomes the enemy and where love and the possibility of it seems forever lost.

With each passing year Paulette becomes more aware of time's momentum and the destruction it has wrought and she`s constantly haunted by Roy's self-importance, and selfishness. The sexual investigator and the relatively unsuccessful breadwinner, Scott descends into black funk, a rich and unsatisfying blend of outrage and self-pity that threatens to overtake him and his marriage completely; Billy, when it comes to his family, opts for privacy with only Gwen knowing about Srikanth, his handsome and debonair boyfriend; and Frank is finally thrust into a competitive scientific field, but he realizes with a sense of panic that he's nearing the end of his productive years with the big genome discovery now somehow eluding him.

Dissecting her characters with scientific precision, Haigh presents all of their flaws and strengths in kaleidoscopic detail, getting right the heart of their inner lives and their loves. Although at times McKotchs are not particularly warm or appealing and they do make some selfish decisions, they remain totally fascinating in their inability to communicate with each other, with the cold reality of their condition affecting their bonds throughout much of their lives. Certainly this family's journey is one of acceptance, of themselves and of each other. All are sufferers and recipients of their own self-absorption even as they continue to be trapped between loyalty and affection. Mike Leonard August 08.
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2 of 2 people found the following review helpful
Disappointing 15 Nov 2008
By Alba
Format:Paperback
Perhaps because of high expectations created by glowing reviews, I found this book a disappointment. For me it didn't really deliver. I found the writing rather plodding and cliched, the situations unrolled in the narrative in a well-signalled and unoriginal way, and I didn't really buy into the central metaphor. But this could just be a relative thing. I've read so many beautifully written and inspiring books this year that there was a lot to live up to.
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Format:Paperback
Don't be fooled into thinking this book is only about 'The Condition' at hand (Turners Syndrome) - what it is REALLY about is family dynamics. Very true to life and you find yourself empathising with characters in situations you have not experienced but can imagine you have due to Jennifer Haigh's worthy descriptions and character explorations of each member of the McKotch family.

The ending is fantastic. I have rarely read such a fulfilling ending to the a book.

One small point; strange that the book went to print describing, on the back, Gwen as the youngest child when the youngest is Scott.
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