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Introducing the newest instalment in this award-winning continuing series as it swings into 1969. Even as the world rolled on like a ball of confusion, it was a new morning for "The Sound of Young America" in 1969. That story is in full flower on The Complete Motown Singles, Vol. 9: 1969, a 6-CD set that's the latest instalment in the acclaimed series from Hip-oSelect.
This incredible year is captured in 148 songs from 42 artists on Motown's many labels across the six CDs of The Complete Motown Singles, Vol. 9: 1969. Highlights include Edwin Starr's "Twenty-Five Miles," "Someday We'll Be Together" by Diana Ross & The Supremes - that line-up's finale and the final No. 1 hit of the decade - Gladys Knight & The Pips' "Friendship Train," and The Jackson 5's still-amazing "I Want You Back," which is also featured as the replica 45 housed in the front cover.
Featured in the box set's thick booklet is an introductory essay from former Motown executive and current artist manager Shelly Berger, an overview of the times by music historian Stu Hackel, detailed track notations, discographies and cross-references, and, of course, terrific photos from the Motown Archives.
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Most Helpful Customer Reviews
4 of 5 people found the following review helpful
Format:Audio CD
It is another perfectly packaged and great music set from Hip O Select.
I cannot wait for the final 3 box sets of this series. Buy it listen to it and treasure it. Motown brilliance.
I cannot wait for the final 3 box sets of this series. Buy it listen to it and treasure it. Motown brilliance.
0 of 1 people found the following review helpful
Format:Audio CD
This one might be a bit hard to find but there are still a few available boxed sets at Amazon's japanese web site.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
6 reviews
8 of 8 people found the following review helpful
Volume Nine---1969
13 Feb 2008
Format:Audio CD
There aren't words enough to describe this series. Volume 9 is 6 discs , 7 hours , 18 minutes , and 27 seconds of 148 slices of Motown Heaven. The label responsible has taken such great care with all nine of these releases that it will be a shame when it ends after the last three boxes. The projected date for the end of the series is 2009---on Motown's (and my) 50th birthday. These sets deserve the highest accolades ever ! They are all lovingly assembled utilizing the best source material available , with the entire package being a treasure. It all started in 1959 , and now 1,254 songs and over 57 hours of Motown magic later , the complete Motown singles project is winding down with a full head of steam. Buy them all now----before you can't !
10 of 12 people found the following review helpful
Here's the latest...
20 Feb 2008
Format:Audio CD
Here's the latest in the twelve volume set of the Complete (well, almost) Motown Singles. I say almost because Motown no longer owns the masters for many of the Rare Earth singles. What we do get is catalog numbers, release dates and credits to those recordings not included.
That said, 1969 was the final year for Diana Ross & the Supremes. Their first single, "I'm Living In Shame" went top 10, and they went out with a number one record (Someday We'll Be Together). On top of that, they concluded a highly successful stint performing and recording with their male counterpart group, The Temptations. Not bad, considering their lackluster success after Florence Ballard left the group in mid-'67. "Someday" was really intended for Diana's first solo single (it had been recorded at the same session as "These Things Will Keep Me Loving You") and had no trace of Mary Wilson and Cindy Birdsong on the disc. It was also the year the Jackson 5 released their first single, "I Want You Back". Other established acts such as Gladys Knight, Marvin Gaye and The Temptations had one of their most successful years against unbelievable odds. David Ruffin had exited the Tempts the previous year, Marvin Gaye lost Tammi Terrell, his singing partner, to bad health, and Gladys Knight was thrown the leftover crumbs from the table, yet she turned them into gems weaving her magical vocals in and out of impossible places. All the big hits are here, of course with B-sides in thier proper place along with some alternate takes or mixes. Like in previous collections, there are some withdrawn singles, this time from trumpeter Jonah Jones and vocalist extraordinaire Billy Eckstine. It's just a shame that the popularity of some of the greatest early Motown artists such as Martha & the Vandellas, The Marvelettes and even the Four Tops was beginning to wane. Even The Miracles were struggling a bit, although they managed to pull a couple of big hits out of the bag. Some newer acts found some fame, though--The Originals scored big with a Marvin Gaye production, "Baby I'm For Real" as well as Edwin Starr's, "25 Miles". They would continue their success the following year. Another major addition to Motown '69 was Hugh Masakela's imprint, Chisa. The Jazz Crusaders, Stu Gardner and others were added to the label because of it. A Jazz oriented label, it took Motown back into the genre once more since 1963's Workshop Jazz label.
There were only a couple of duds here, but I won't mention them. Motown kept the standards high every step of the way during the 60's, but it would not continue very far ino the next decade, as the house band, the beloved Funk Brothers, were squeezed out of their plans when they moved West. Three more volumes will follow, each with diminishing luster, I'm sure, but I'm still looking forward to them and all future Motown releases from Hip-O.
That said, 1969 was the final year for Diana Ross & the Supremes. Their first single, "I'm Living In Shame" went top 10, and they went out with a number one record (Someday We'll Be Together). On top of that, they concluded a highly successful stint performing and recording with their male counterpart group, The Temptations. Not bad, considering their lackluster success after Florence Ballard left the group in mid-'67. "Someday" was really intended for Diana's first solo single (it had been recorded at the same session as "These Things Will Keep Me Loving You") and had no trace of Mary Wilson and Cindy Birdsong on the disc. It was also the year the Jackson 5 released their first single, "I Want You Back". Other established acts such as Gladys Knight, Marvin Gaye and The Temptations had one of their most successful years against unbelievable odds. David Ruffin had exited the Tempts the previous year, Marvin Gaye lost Tammi Terrell, his singing partner, to bad health, and Gladys Knight was thrown the leftover crumbs from the table, yet she turned them into gems weaving her magical vocals in and out of impossible places. All the big hits are here, of course with B-sides in thier proper place along with some alternate takes or mixes. Like in previous collections, there are some withdrawn singles, this time from trumpeter Jonah Jones and vocalist extraordinaire Billy Eckstine. It's just a shame that the popularity of some of the greatest early Motown artists such as Martha & the Vandellas, The Marvelettes and even the Four Tops was beginning to wane. Even The Miracles were struggling a bit, although they managed to pull a couple of big hits out of the bag. Some newer acts found some fame, though--The Originals scored big with a Marvin Gaye production, "Baby I'm For Real" as well as Edwin Starr's, "25 Miles". They would continue their success the following year. Another major addition to Motown '69 was Hugh Masakela's imprint, Chisa. The Jazz Crusaders, Stu Gardner and others were added to the label because of it. A Jazz oriented label, it took Motown back into the genre once more since 1963's Workshop Jazz label.
There were only a couple of duds here, but I won't mention them. Motown kept the standards high every step of the way during the 60's, but it would not continue very far ino the next decade, as the house band, the beloved Funk Brothers, were squeezed out of their plans when they moved West. Three more volumes will follow, each with diminishing luster, I'm sure, but I'm still looking forward to them and all future Motown releases from Hip-O.
1969!!
12 July 2009
Format:Audio CD|Amazon Verified Purchase
To me, 1969 was an excellent year for the Motown label(s). The album product that year produced some of the best material. It also saw the debut of Michael Jackson (Jackson 5), a dynamic performer, on the Motown imprint with his brothers. The cover features the Jackson 5's first #1 hit 'I Want You Back', which is actually a 45, inserted in the front cover. A superb reproduction of the 45!
The info alone in this, like all of the other volumes is invaluable. Such an amount of information is priceless to any Motown fan. An excellent read to those who are just passing Motown fans.
Like always, if you have already purchased the previous volumes, grab this one, as anything by Michael Jackson or his imprint is commanding high prices, especially his vinyl, which is making a huge comback.
The info alone in this, like all of the other volumes is invaluable. Such an amount of information is priceless to any Motown fan. An excellent read to those who are just passing Motown fans.
Like always, if you have already purchased the previous volumes, grab this one, as anything by Michael Jackson or his imprint is commanding high prices, especially his vinyl, which is making a huge comback.
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