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Two MP3 albums for £10
Buy this MP3 album with any other MP3 album under £8 and pay no more than £10 for both (terms and conditions apply). Just look for any album with this message, put it in your basket with another eligible title and the discount will be applied at checkout. |
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Don't feel too disappointed if the music doesn't hit you hard on first listen.
The Memphis-derived horns, organ and guitar is so like Stax you can almost call
the chord changes, as well as hearing how Van Morrison, Bob Dylan and The Band
picked up and ran with Carr's spooky country-soul ball. But Carr is addictive,
and he defines deep soul because he is not as extravagantly showy as a Redding
or an Al Green. His definitive performances - 'A Man Needs A Woman', 'Life
Turned Her That Way', the Bee Gees' 'To Love Somebody', 'You've Got My Mind
Messed Up' and his best-known classic, the infidelity-as-existential-doom
masterpiece 'The Dark End Of The Street' - showcase a swelling yet restrained
baritone, a desire to inhabit and submit to the depth of the lyric, an
interpretive mastery. When the screams and wails do come, they are not ecstatic
releases of tension, but the last gasps of a drowning man.
James Carr is widely regarded by people who know what they're taliking about (eg respected roots music writer Peter Guralnick: if you're interested, try reading his "Sweet Soul Music") as one of the great southern soul singers.
This compilation has several excellent examples of the southern soul style - Carr's impassioned vocals, great Stax-ish horn lines, tasteful Steve Cropper-style guitar licks, etc. All the ingredients of the classic southern soul sound.
"Dark end of the street" is Carr's best-known song, but also listen to "These ain't teardrops", "A man needs a woman", or my favourites "Pouring water on a drowning man" and "Fool for you", both of which demonstrate that Carr could handle up-tempo numbers just as well as the ballads which were his trademark.
Ignore the last review and check this out.
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