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The Complete Fame Singles Volume 1 - 1964-67 [Original recording remastered]

Various Artists Audio CD
3.7 out of 5 stars  See all reviews (3 customer reviews)
Price: £12.99 & FREE Delivery in the UK. Details
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The Complete Fame Singles Volume 1 - 1964-67 + Let The Music Play: Black America Sings Bacharach & David + The Rebel Kind ~ Girls With Guitars 3
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Product details

  • Audio CD (31 Mar 2014)
  • Number of Discs: 2
  • Format: Original recording remastered
  • Label: Ace
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Bestsellers Rank: 97,038 in Music (See Top 100 in Music)

Disc: 1
1. Steal Away- Jimmy Hughes
2. Lollypops, Lace And Lipstick - Jimmy Hughes
3. Close To Me - Dan Penn
4. Let Them Talk - Dan Penn
5. Try Me - Jimmy Hughes
6. Lovely Ladies - Jimmy Hughes
7. I'm Getting Better - Jimmy Hughes
8. I Want Justice - Jimmy Hughes
9. Hey, Do You Wanna Marry - Spooner And The Spoons
10. Wish You Didn't Have To Go - Spooner And The Spoons
See all 26 tracks on this disc
Disc: 2
1. His Town - Terry Woodford
2. She Wants What She Can't Have - Terry Woodford
3. Laugh It Off - The Villagers
4. You're Gonna Lose That Girl - The Villagers
5. I Worship The Ground You Walk On - Jimmy Hughes
6. A Shot Of Rhythm And Blues - Jimmy Hughes
7. In The Same Old Way - Arthur Conley
8. I Can't Stop (No, No No)- Arthur Conley
9. I Can't Get You Out Of My Mind - Art Freeman
10. Slippin Around With You - Art Freeman
See all 26 tracks on this disc

Product Description

Product Description

The first of a three-volume set of double CDs which tells the story of Fame Records and its subsidiary labels from 1964 through until 1973. This first volume cover the 26 singles released by the label between 1964 and 1967. These bring us not just the very deepest of southern soul, but also attempts at pop-soul and garage rock by the local musicians who made up the studio's house bands. Included are some of the earliest recordings of Jimmy Hughes, Dan Penn and Clarence Carter, obscurities by June Conquest, the Villagers and Northern Soul classics by James Barnett and Art Freeman. 12 tracks are new to CD. FAME Studios was started in 1962 by Rick Hall. Rick has just received a Special Merit Award awarded at the Grammy's.

Customer Reviews

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3.7 out of 5 stars
3.7 out of 5 stars
Most Helpful Customer Reviews
4 of 4 people found the following review helpful
3.0 out of 5 stars Investigation not good enough 29 May 2014
Verified Purchase
This is a big disappointment for three reasons. "You might as well forget him/Everbody let's dance" By Jimmy Hughes distributed by Vee Jay (Fame 1002) has been omitted.When I emailed ace about this omission they did not respond. Point 2:- Art Freeman "Piece Of My Heart" (which is why I bought this CD) is not the single version (which I have on Fame) but a completely different take with shrill girls spoiling the effect of the Fame band. Point 3:- yet again the wrong track for "Thread the Needle" has been chosen (as it was on Clarence Carters Fame Singles) If you are going to title a CD "The Complete Fame Singles* then make sure it is!! It's called mis-representation otherwise ! Ace need to make sure that they are releasing the correct tapes. For sixties soul fans these errors matter.
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4 of 4 people found the following review helpful
3.0 out of 5 stars Too Many Fame Reissues? 17 April 2014
Although you can't fault the music and those fine, fine southern horns if you have, as I have, all ready bought ACE/Kent two CD retrospective of Clarence Carter Fame 45s and the Ace/Kent reissue of Jimmy Hughes early Fame releases you have well over half the track listed all ready. You are still left with some gems such as Arthur Conley's 'In the Same Old Way' and 'I Can't Get You Out Of My Mind' from Art Freeman but of course not all the other cuts are that good and those such the offerings by Spooner Oldham and Terry Woodford have not fared very well in the intervening years. Its a bit of a dilemma when a company over milks the milch cow as to how to rate a release. As I have all ready bought the three CDs by Hughes and Carter and money is always finite my feeling is that for me this is an OK release.
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5 of 7 people found the following review helpful
5.0 out of 5 stars Fame at last. 3 April 2014
If you like southern soul this is a great 1st part to The Fame Story a generous 52 Tracker at a low price. The First 26 singles and B sides. The artists include Dan Penn, Arthur Conley,Jimmy Hughes and Clarence Carter and many more. A brilliant cd.
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 5.0 out of 5 stars  4 reviews
2 of 2 people found the following review helpful
5.0 out of 5 stars major chapter in the history of Southern soul -- impeccable presentation 23 Jun 2014
By TheNoomz83 - Published on Amazon.com
Ironically, Fame Records is more famous now than it ever was in its heyday, due largely to the recent "Muscle Shoals" documentary film. For those who have seen this film about the Fame recording studio in Muscle Shoals, Alabama, the only song heard in it that you will encounter in this two-disc set is Jimmy Hughes's phenomenal R&B/pop crossover hit "Steal Away" [#2 R&B / #12 pop]. It was issued on Fame 6401: "64" for the year (1964) and "01" signifying it was the very first release on founder/owner/producer/ recording engineer Rick Hall's Fame record label. This would remain the biggest hit in the label's first incarnation (1964 to early 1967). A total of nine of the 26 records (52 sides) on this double-disc collection saw some national chart action, including seven by the label's undisputed star Hughes who cracked the R&B top five two more times, but never the pop top 60 again. By 1967, when Fame studio releases were switched to the Atlantic/Atco imprints, two other Fame artists were emerging: Clarence Carter, who had two minor national chart hits on Fame, and Arthur Conley, whose first two fine singles on Fame we get to hear. (Carter's début, "Tell Daddy," got a mention in "Muscle Shoals" because in late '67 the great Chess recording artist Etta James was sent down from Chicago to wax her distaff version, "Tell Mama," a future Rock & Roll Hall of Fame [no pun intended] recording.)

The question about this collection becomes: Besides the Jimmy Hughes and Clarence Carter records, as well as Arthur Conley's pair of strong singles preceding his monster hit "Sweet Soul Music" (on Atco), are all the recordings by non-hitmakers and the B-sides worth it? The B-sides are a tricky proposition. As often occurs, some B-sides are as good, if not better, than some A-sides. Others are more typical true B-sides, and one is so awful it qualifies as a "C"-side, not to be played more than once under any circumstances. (Its title is "Lolly Pops, Lace and Lipstick," as they apparently really tried to make sure no deejay would want to cut into "Steal Away"'s action by flipping it over.) As far as the other artists are concerned, they all have at least one worthwhile side, and several are must-haves. These include the two singles (both sides) by Dan Penn (who wrote or co-wrote three of the songs) and his frequent writing partner, Fame keyboardist Spooner Oldham's "Wish You Didn't Have to Go," the future James & Bobby Purify follow-up record to "I'm Your Puppet" on the Bell label. (Oldham's record was credited to "Spooner & the Spoons.") Also, one-off recording artist on Fame, James Barnett, whom I would situate vocally somewhere between Jimmy Hughes and Arthur Conley, delivers the goods on the prototypical Oldham-Penn Deep Southern soul ballad "Take a Good Look," featuring a fantastic horn chart and stellar guitar work. But taking the cake in her sole Fame appearance is June Conquest's reading of the Donnie Fritts-Dan Penn composition "Almost Persuaded" (1964). In a surprise move, they composed this and it was produced and arranged in letter-perfect Brill Building girl-group style. June Conquest was one sweet-and-soulful-sounding pop/R&B chanteuse, and this record deserved top ten status in both realms. Startlingly, though, this is the only Fame record in these early years by a female lead artist. (Incidentally, this "Almost Persuaded" is not the same song as the number one country hit two years later by David Houston, although I suspect the title was "borrowed.")

A couple of acts here are white pop-rockers whose output is in tune with the mid-'60s sounds (one is a cover of the Beatles' "You're Gonna Lose That Girl"), but none of it is particularly distinctive.

This being an Ace Records [UK] compilation, the sound mastering from the original tapes is superb (all in glorious mono -- and Fame's Rick Hall is a sound freak to begin with!), and the accompanying booklet (24 pages!) contains photos of a half-dozen of the acts, as well as color repros of every A and B side label. The liner notes are informative and comprehensive, covering every track in order of appearance.

Volume 2 will pick up from where the Fame story resumes in 1969. The big star will be the still very active Candi Staton (finally, another woman on the label!).
5.0 out of 5 stars Virtually Flawless!!!! 17 Aug 2014
By Johnboy1 - Published on Amazon.com
Verified Purchase
I can't say enough good about this 2-CD set from Ace. The label already has a great reputation, and this release will only add to that. A single release with the "A" sides of the 26 singles would have been welcome, but thank goodness Ace didn't do that, because most of the "B" sides are as good, if not better, than the "A" sides. I was familiar with Jimmy Hughes, Arthur Conley, and Clarence Carter, but I had no idea what I had missed by not hearing the other 9 artists featured here. Of the 52 tracks featured on this release, I can safely say there are 52 fantastic recordings. This may very well be my favorite Ace release yet. Highly recommended! I can hardly wait for Vols. 2 and 3 to get released.
5.0 out of 5 stars Fame singles 25 Jun 2014
By THOMAS C. BIAGI - Published on Amazon.com
Nice stuff, good label. Jimmy Hughes is very good. Had some of it already, a nice addition to the collection.
5.0 out of 5 stars Five Stars 1 Aug 2014
By M. L. Red - Published on Amazon.com
Verified Purchase
All good
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