I have to admit, when I decided to start this book, my expectations were not at an all time high. Perhaps my subsequent delight with such wonderful novel clouds my opinion a little, but five stars is five stars and I loved this book.
Farrelly is best known as a successful screenwriter and director of such over-the-top comedies as There's Something About Mary and Kingpin. Now I really enjoyed both of those movies (as well as Dumb and Dumber), but they are hardly the stuff of a brilliant story-teller.
Or are they?
Having recently re-watched all three of Mr. Farrelly's films, one thing stands out beyond all else. The stories themselves are the most important thing. Sure, sure, you can write their stuff off as "gross-out" comedy, but look at the plots. A could-have been's life stops mattering because of one childhood mistake, something it takes a lifetime of humilation to get past. A man embarrasses himself on prom night and spends the next ten years mourning that one day when his whole life could have been turned around. In The Comedy Writer, there is a similar fixation with that one moment in time that has shaped a life. Something bad or sad or mortifying happened and now the person has become set on a path, no way out, this is who he has become. The Comedy Writer deals, much the way There's Something About Mary and Kingpin do, with a loser's effort to make something of himself--no matter what. It's not like he can get any lower--take the risk.
This novel has a depth and emotional resonance that might come as a surprise. It is dark and tragic in spots, light and silly elsewhere, with wonderful Hollywood dialogue and a perfectly timed first person narration. More than anything else, perhaps, if you are an aspiring young writer (or filmmaker) this book will speak truths you may already know, but try hard to supress. Deal with it. This work can even inspire you to continue.