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The Claude Glass: Use and Meaning of the Black Mirror in Western Art
 
 
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The Claude Glass: Use and Meaning of the Black Mirror in Western Art [Paperback]

Arnaud Maillet

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Arnaud Maillet
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Product Description

Product Description

A study of a largely forgotten optical device and its relation to notions of opacity, transparency, and imagination.

About the Author

Arnaud Maillet is an art historian who received his doctorate at the University of Paris I. The Claude Glass is his first book.

Inside This Book (Learn More)
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Amazon.com:  2 reviews
3 of 3 people found the following review helpful
Through A Glass Darkly 15 Jan 2008
By Robert N. Taylor - Published on Amazon.com
Format:Hardcover|Amazon Verified Purchase
Arnaud Maillet's study of the Claude Glass was informative and insightful in the main. As an artist and geometer I found all of the information contained in the book of great interest and instructive. As one who has of late been studying the subject of reflections and mirrors in general, as well as applications to the nuero-visual and geometric, this filled an improtant gap in my knowledge. It may not be a perfectly organized study but it is the only one I am aware of in English. It had the effect of my creating my own Claude Glass with a converse clock face glass cover and enamel black paint sprayed on the back. I have been enjoying experimentation with it since and will no doubt employ it in some art work. Any book that prompts one to use the information inside is a book worthy of reading I think. It seemed to cover the various areas of the subject; It's developement and history, occult use for scrying, as a device for reducing an image and also for
accessing the tonal values. I doubt I would require another book on the subject after reading and studying this one.
13 of 22 people found the following review helpful
This book is quite rediculous 29 Mar 2005
By German Reader - Published on Amazon.com
Format:Hardcover|Amazon Verified Purchase
The "Claude Glass" sounds like a very interesting topic, but the handling of this topic by the author A. Maillet is out of the limits of professional academic research. The very short chapters filled with heterogeneous thesis and arbitrary pictures and diagrams evade a clear art-historian or philosophical approach of the Claude Glasse's use for artists in the 18th century. The first interesting thesis, that you expect normally in the introduction, is presented on page 163 (of 221 pages main-Text): "The Claude Mirror... is... an apparatus that enables one to transpose reality into a melodious harmony." In the internet you find articles that give you more insight for free.

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