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The Cinema of Japan and Korea (24 Frames) [Hardcover]

Justin Bowyer , Jinhee Choi

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Book Description

1 May 2004 24 Frames
The Cinema of Japan and Korea is the fourth volume in the new 24 Frames series of studies of national and regional cinema, and focuses on the continuing vibrancy of Japanese and Korean film. The 24 concise and informative essays each approach an individual film or documentary, together offering a unique introduction to the cinematic output of the two countries. With a range that spans from silent cinema to the present day, from films that have achieved classic status to underground masterpieces, the book provides an insight into the breadth of the Japanese and Korean cinematic landscapes. Among the directors covered are Akira Kurosawa, Takeshi Kitano, Kim Ki-duk, Kenji Mizoguchi, Kinji Fukusaku, Kim Ki-young, Nagisa Oshima and Takashi Miike. Included are in-depth studies of films such as Battle Royale, Killer Butterfly, Audition, Violent Cop, In the Realm of the Senses, Tetsuo 2: Body Hammer, Teenage Hooker Becomes a Killing Machine, Stray Dog, A Page of Madness!
and Godzilla.

Product details

  • Hardcover: 288 pages
  • Publisher: Wallflower Press (1 May 2004)
  • Language: English
  • ISBN-10: 1904764126
  • ISBN-13: 978-1904764120
  • Product Dimensions: 21.6 x 2.3 x 28 cm

Product Description

Review

Both the academic and journalistic approaches are sure to widen the spectrum of potential readers for this fine volume. -- Mitsuyo Wada-Marciano, Carleton University

About the Author

Justin Bowyer is the author of Conversations with Jack Cardiff (2003) and a screenwriter and film critic.

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Amazon.com: 2.0 out of 5 stars  1 review
2 of 5 people found the following review helpful
2.0 out of 5 stars An enthusiastic but confused effort 7 Dec 2006
By J. Eno - Published on Amazon.com
Format:Hardcover
This book contains quite a few facts about various Japanese and Korean films and filmmakers, and the authors are clearly enthusiastic about their subject matter. However, the organization of the book and its chapters is so poor that it's difficult to discern exactly what the point of the essays are. Each chapter centers, at least for a few sentences, on a single movie, but most quickly spiral off into amorphous discussions of related people, movies, and topics. There is a good amount of speculation--discussion is filled with phrases such as "it is easy to image that," "it is quite possible that," and the word "arguably." Further, the content of the chapters is not coordinated, resulting in repetition and a lack of an overall structure.

I would read this book if you are interested in the particular movies or directors it mentions. But if you're looking like an overview and analysis of Korean and Japanese cinema like I was, then I would suggest looking somewhere else.
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